To make matters worse, very few amongst them get to hit the theatres. At least that’s the case in our country. Against these established precedents of inconvenient truth, Faiza Ahmed Khan’s debut project takes a rather different route. And how! When a film is made about another film, it becomes quite difficult to separate the two.
That’s precisely what happens with Supermen of Malegaon (SOM). Set in the power loom city, 296 km northeast of Mumbai, it tracks the making of a low-budget spoof titled Malegaon Ka Superman. We are then introduced to some really intriguing characters who are hilariously passionate about cinema.
We meet a ‘filmmaker’ who may have a plagiarised vision about filmmaking but he brings something new to the screen. Then, there is this boney guy who is portraying the superhero and wishes to be like Big B someday.
And there are many more like him. Almost everybody in this documentary appears stuck in a past we can still relate to. If their approach towards the project they’ve undertaken seems sub-standard, it isn’t their fault. Despite lacking basic amenities required to make a movie, their collective spirit to get things done is inspirational to say the least.
Besides, their sole objective is to locate the audience’s funny bone and tickle it. Something they do exceptionally well. And while they are it, we get a peek into the world they inhabit. SOM could have been tad preachy since poverty, illiteracy and communalism gang up pretty often.
Fortunately, it isn’t. To manifest this solemn point, a beautiful Urdu poem is rendered right in the middle of the hour-long runtime. Likewise, pragmatic philosophy is served with dollops of innocent wit. It simply gets better with every passing frame. There’s only one thing wrong with this unpretentious film. It ends way too early.