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The Lowland

Updated on: 24 September,2013 05:06 AM IST  | 
Soma Das |

Respected filmmaker Shyam Benegal will bring Samvidhaan, the epic 10-part miniseries on the Constitution of India, to television in January 2014 on Rajya Sabha TV Channel

The Lowland

Whether it was her Pulitzer Prize-winning short story collection Interpreter of Maladies (1999); her first novel, The Namesake (2003), which lent itself to a film adaptation; or her second short story collection, Unaccustomed Earth (2008), she describes with aplomb the joys and hurdles of Bengalis relocating, adapting and living in a different continent (USA)


/Author Jhumpa Lahiri
Author Jhumpa Lahiri. Pic/AFP



The Lowland, Jhumpa Lahiri, Random House India, Rs 499. Available atu00a0leading bookstores.


In The Lowland, Lahiri uses the movement as a central force catapulting the protagonists (brothers Subhash and Udayan Mitra, and Gauri, the enigmatic woman, whom they marry at different points of time, and the child Bela, who finds herself with two fathers) into each other’s paths. In the book, Lahiri manages to recreate the turbulent Naxal uprising as the reader crisscrosses time zones (past and present) and continents (from Bengal to Rhode Island).

The plot kicks off from the bylanes of Calcutta where two brothers are inseparable until life leads them on different paths. While Udayan becomes part of the Naxalite movement (real-life Naxal leaders such as Kanu Sanyal and Charu Majumdar also feature in the book), his brother Subhash heads to Rhode Island to study. When the police execute Udayan for his Naxal activities, Subhash marries Udayan’s pregnant widow Gauri and takes her along with him to the US. However, the past exerts a strong pull on the future and for those left behind, things are never quite the same. Generations later, divergent threads come together, and the secrets, pent-up anger and turbulence among the protagonists reach tipping point, and leads to the eventual denouement.

The book is a page-turner, mostly, but also disappoints at times. Lahiri’s prose, even while delving on the slow passage of time and trivial mundane activities, keeps you hooked. But while the plot moves seamlessly in the US (where Lahiri is in her element), the Naxal scenes snatch away some of the pace. Also, some characters display similar shades of characters from her earlier works. Still, make space for The Lowland in your bookshelf.

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