A Pakistani singer claims Dhurandhar 2 makers paid Rs 46 lakh for “Hawa Hawa,” sparking debate over cross-border collaborations, music rights, and the film’s soundtrack, while the team has yet to respond
Sanjay Dutt
A fresh controversy has emerged around Dhurandhar 2 after a Pakistani singer claimed he was paid Rs 46 lakh by the film’s team for the use of his popular track “Hawa Hawa.”
Pakistani singer claims he got paid by the film's team
The singer revealed that the makers had officially acquired rights to the song, stating, “They paid me Rs 46 lakh for it.” His statement has sparked widespread discussion online, with many questioning the details of the deal and how the track was incorporated into the film.
“Hawa Hawa,” which has long been a popular number across borders, reportedly features in Dhurandhar 2 as part of its soundtrack or background score. The claim has reignited conversations about cross-border collaborations in the entertainment industry, especially at a time when such associations often draw public and political scrutiny.
According to the singer, the agreement was straightforward, with the production team approaching him for the rights and completing the transaction professionally. His remarks suggest that there was no dispute over payment, but the revelation itself has surprised many fans who were unaware of the behind-the-scenes arrangement.
The development has also led to mixed reactions on social media. While some users appreciated the transparency and professionalism involved in acquiring rights, others debated the decision to include a Pakistani track in a major Indian film, given the sensitive nature of cross-border artistic exchanges.
All about the movie and claims
So far, the makers of Dhurandhar 2 have not publicly responded to the singer’s claims. However, the revelation has added another layer of intrigue to the film, which has already been making headlines for its performances, storyline, and post-release discussions.
This incident once again highlights how music continues to transcend borders, even amid complex dynamics. It also sheds light on the often unseen business side of filmmaking, where negotiations and rights acquisitions play a crucial role in shaping the final product.
As conversations continue to unfold, the claim has certainly brought attention to “Hawa Hawa” and its place in Dhurandhar 2, while also sparking a broader debate about collaboration, ownership, and the evolving landscape of the entertainment industry.
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