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Chiraiya writer Divy Nidhi Sharma opens up on emotional turmoil behind the series: 'Trying to have conversation with audience living in small towns'

Updated on: 14 April,2026 07:58 AM IST  |  Mumbai
Letty Mariam Abraham | letty.abraham@mid-day.com

Writer Divy Nidhi Sharma ditches the saviour trope in Divya Dutta-starrer ‘Chiraiya’ to craft a complex protagonist reflecting uncomfortable truths

Chiraiya writer Divy Nidhi Sharma opens up on emotional turmoil behind the series: 'Trying to have conversation with audience living in small towns'

A still from ‘Chiraiya’

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Chiraiya writer Divy Nidhi Sharma opens up on emotional turmoil behind the series: 'Trying to have conversation with audience living in small towns'
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Penning the series Chiraiya was no small feat for writer Divy Nidhi Sharma, who admits he went through intense emotional turmoil during the process. While the series sparks a conversation around marital rape and consent, “it touches on several other issues”. “From lack of hygienic toilets for women, the lack of vocabulary to describe female genitalia, to the lack of education. Once the ball started rolling, a lot of things kept coming up,” he shares.

What stands out, however, is the evolution of Divya Dutta’s character, Kamlesh. Though she appears courageous, the patriarchy ingrained in her drives her to make choices one would least expect from a protagonist. “While writing, I felt like slapping Kamlesh too. When she slaps Pooja [Prasanna Bisht], you see it as her conditioning and illiteracy. We are trying to have a conversation with the audience living in small towns and villages, who don’t even know that [marital rape] is wrong. We wanted our protagonist to be one of them so that people could relate to Kamlesh as she has the same questions. We also wanted to take away the saviour complex. Pooja is the victim of the crime and Kamlesh is the victim of patriarchy,” explains Sharma. 


Divy Nidhi Sharma. Pic/InstagramDivy Nidhi Sharma. Pic/Instagram



The series culminates in a public confrontation, without a definitive punishment. While the ending may feel unsatisfactory, Sharma says the choice was deliberate to retain realism. “How do we show victory in the end that doesn’t sound implausible or impossible? Pooja has a moral compass, but because she is in [trauma], it takes time for her to gather courage. Kamlesh has courage, but she lacks a moral compass. Once they come together, the story revolves around them finding their voice, which is their first victory. We have maintained a realistic depiction. We couldn’t go the legal way or take the vengeance route. I know it is not perfect, but we don’t live in a perfect world.”

Did you know?

The core concept of ‘Chiraiya’ was inspired by the Bengali series ‘Sampurna’ 

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