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A pixelated history of the Patola

As the intricate weave from Patan in Gujarat makes it to Union Culture Ministry's Intangible Cultural Heritage list, here's what you need to know about the prized weave

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Malaika Arora wears a contemporary Patan Patola in non-traditional design and colour, by Mumbai-based designer Sangeeta Kilachand. Pic/Tejas Nerurkar

Malaika Arora wears a contemporary Patan Patola in non-traditional design and colour, by Mumbai-based designer Sangeeta Kilachand. Pic/Tejas Nerurkar

Back in 2014, at the launch of her book Sacred Textiles of India, noted textile revivalist, scholar and historian Jasleen Dhamija had mentioned to this writer that she considers the double ikat weave, the Patan Patola as the most endangered sacred textile of India. And rightfully so, as only two of the original weaver families, the Salvis, continue to practice this craft, a skill that the family has not passed on to anyone outside to keep the lineage exclusive. In a boost for the weave, in the draft of the Intangible Cultural Heritage list recently released by the Union Ministry of Culture, the Patan Patola finds mention.

Chhabadi bhat Patola, woven by Vinayak Kantilal Salvi, Patola to order, 1990s. Double ikat silk resist-dyed in madder red and black
Chhabadi bhat Patola, woven by Vinayak Kantilal Salvi, Patola to order, 1990s. Double ikat silk resist-dyed in madder red and black

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