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Meenakshi Shedde: Grabbing the audience

<p>I attended the Mumbai previews of two superb indie films, that were theatrically released elsewhere in India earlier - Suman Mukhopadhyay's Asamapta (Incomplete, Bengali) and Lijo Jose Pellissery's Angamaly Diaries (Malayalam)</p>

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Stills from Asamapta (Incomplete, Bengali) by Suman Mukhopadhyay
Stills from Asamapta (Incomplete, Bengali) by Suman Mukhopadhyay

I attended the Mumbai previews of two superb indie films, that were theatrically released elsewhere in India earlier - Suman Mukhopadhyay's Asamapta (Incomplete, Bengali) and Lijo Jose Pellissery's Angamaly Diaries (Malayalam). Both very different, yet very satisfying films, that remain with you long after you've left the theatre. And yet, the Mumbai audience did not give them the warm hug they deserved. Mostly, what happens to superb, non-Hindi films in Mumbai, is that the Mallu crowd will go to see Malayalam films, the Bong crowd will go to see Bengali films — with some small surplus of film lovers who appreciate cinema in any language with English sub-titles, whether it's Malayalam or French or Farsi.

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