Home / News / India News / Article / Sumedha Raikar-Mhatre: Hushed prayers

Sumedha Raikar-Mhatre: Hushed prayers

Why can’t devotion be low on the decibel? A Marathi play written in the 1990s, advocating a not-so-popular stance finds votaries in Mumbai and Bangalore too

Listen to this article :


In 2003, C P Deshpande’s play Dhol Tashe received the Maharahstra Foundation award for playwriting. Now, Pune-based director Mohit Takalkar (right) has launched its Kannada version, titled Beediyolagondu Maneya Maadi (Having Built a House on the Street). PIC/MANDAR TANNU 


Shiv Sena leader Raj Thackeray was seated in the first row at Dadar’s Shivaji Mandir to watch C P Deshpande’s (Champra) iconic play Dhol Tashe in June 2000. As director Vijay Kenkre invited dignitaries and press backstage for the customary batata wada and cutting chai during the interval, Thackeray said he appreciated the commonsensical point made by the play — devotion towards Lord Ganesh or any God can be expressed without generating loud beats of the dhol (drum), tashe (kettle drum) and other percussion instruments; God appreciates serene prayers over uncontrolled festive revelry. He said if the play was “simplified” it could be mounted at Mumbai’s Shiv Sena shakhas.

How do you like the new new mid-day.com experience? Share your feedback and help us improve.

Read Next Story
Paromita Vohra: Post-truths and poster-truths

Trending Stories

Latest Photoscta-pos

Latest VideosView All

Latest Web StoriesView All

Mid-Day FastView All

Advertisement