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Sumedha Raikar-Mhatre: Hushed prayers
Updated On: 20 November, 2016 01:07 AM IST | | Sumedha Raikar Mhatre
Why can’t devotion be low on the decibel? A Marathi play written in the 1990s, advocating a not-so-popular stance finds votaries in Mumbai and Bangalore too


In 2003, C P Deshpande’s play Dhol Tashe received the Maharahstra Foundation award for playwriting. Now, Pune-based director Mohit Takalkar (right) has launched its Kannada version, titled Beediyolagondu Maneya Maadi (Having Built a House on the Street). PIC/MANDAR TANNU
Shiv Sena leader Raj Thackeray was seated in the first row at Dadar’s Shivaji Mandir to watch C P Deshpande’s (Champra) iconic play Dhol Tashe in June 2000. As director Vijay Kenkre invited dignitaries and press backstage for the customary batata wada and cutting chai during the interval, Thackeray said he appreciated the commonsensical point made by the play — devotion towards Lord Ganesh or any God can be expressed without generating loud beats of the dhol (drum), tashe (kettle drum) and other percussion instruments; God appreciates serene prayers over uncontrolled festive revelry. He said if the play was “simplified” it could be mounted at Mumbai’s Shiv Sena shakhas.
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