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Museum of climate change loss

American artist Amy Balkin’s 10-year-old archival project is a telling reflection of what all the world is losing due to the now-obvious climate change, in a literal and cultural sense

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The first contributions to the Archive. All of the items in the Antarctica Collection were collected in late 2011 at Palmer Station, an American science research base on Anvers Island in the Southern Ocean

The first contributions to the Archive. All of the items in the Antarctica Collection were collected in late 2011 at Palmer Station, an American science research base on Anvers Island in the Southern Ocean

The beginnings of Amy Balkin’s A People’s Archive of Sinking and Melting project go back to 2011, when the artist was invited to Texas for a project called Carbon 13. It was organised by filmmaker David Buckland and Cape Farewell, an independent British cultural organisation, that takes artists and people involved in cultural practices to places impacted by climate change, in an attempt to notice and record their reflections. “I went to the Arctic with the team, and I proposed the idea of this project after working with climate change and studying its economics and politics. I was interested in creating an archive, but also thinking about the futures we can look towards,” says the American artist, whose work combines cross-disciplinary research centred around how humans create, interact with, and impact the social and material landscapes they inhabit. 

This VHS video box was salvaged by artist Tyler Henry from his basement studio at Smack Mellon, an arts organisation on Brooklyn’s waterfront. His studio there  was severely damaged by seven feet of floodwater during Superstorm Sandy in 2012This VHS video box was salvaged by artist Tyler Henry from his basement studio at Smack Mellon, an arts organisation on Brooklyn’s waterfront. His studio there was severely damaged by seven feet of floodwater during Superstorm Sandy in 2012

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