Despite its slow start, Rishab Shetty has delivered one of the most visually stunning and culturally resonant Indian films in recent times — a prequel that not only honors its predecessor but also sets the stage for something even bigger
Still from Kantara
It’s no easy feat to live up to a phenomenon like Kantara (2022). But Rishab Shetty, who once again dons the triple role of writer, director, and lead actor, takes on the responsibility with conviction. This is not just about expanding a franchise but also about cementing Kannada cinema’s place on the national stage. When Kantara released in 2022, it forced audiences across India to take note of the industry’s creative prowess — and the prequel only pushes that legacy further.
Plot
The story picks up from where Kantara left off, taking viewers back thousands of years to explore the origins of the Daivas — Guliga and Panjurli. The Daivas protect the Kantara tribes and their sacred land against the Kingdom of Bangra. When the King of Bangra is killed by the Daivas for his greed and destruction, his son Vijayendra vows never to set foot in Kantara. But decades later, his reckless heir Kulshekhara (Gulshan Devaiah) breaks this pact and enters the forbidden land. Rishab Shetty plays Berme, a spirited young man from the tribe who bravely defends his people. What follows is a gripping clash between the kingdom and the tribals, rooted in faith, tradition, and survival.
A visual spectacle
Kantara (2022) showcased the cultural richness of coastal Karnataka, but this prequel dives even deeper into its origins. The film is a treat for the senses, thanks to stunning visuals and cultural authenticity. Cinematographer Arvind S. Kashyap masterfully contrasts the mystical forests of Kantara with the grandeur of the Bangra kingdom, offering breathtaking imagery that lingers long after the credits roll. Every ritual, tradition, and frame has been designed to create an immersive cinematic experience.
Performances and technical brilliance
Rishab Shetty once again proves his mettle. From embodying the physicality of his role to delivering an emotionally charged performance, he commands the screen throughout. Rukmini Vasanth as Princess Kaanakavathi is more than ornamental — she’s integral to the narrative and delivers a charming, impactful act. Gulshan Devaiah is pitch-perfect as the ruthless king, while Jayaram brings gravitas as Vijayendra. The supporting cast adds humour and depth, making the world of Kantara feel alive and real.
The music by Ajaneesh Lokanath is outstanding, seamlessly elevating each scene, particularly the high-octane climax. The sets, especially those of the Bhangra Kingdom, exude an authentic charm without ever feeling exaggerated. From the bustling markets to the intense battlegrounds, the production and art departments have delivered a flawless job in creating an immersive world
What doesn’t work?
The biggest drawback is its pacing. The first half focuses heavily on world-building, unfolding at a languid pace that occasionally tests patience. However, the payoff in the second half is remarkable, as the film gathers intensity and ties together its visuals, performances, and storytelling in a powerful crescendo.
Conclusion
Kantara – Chapter 1 isn’t flawless, but it is a cinematic triumph that combines myth, history, and culture with breathtaking craft. Despite its slow start, Rishab Shetty has delivered one of the most visually stunning and culturally resonant Indian films in recent times — a prequel that not only honors its predecessor but also sets the stage for something even bigger.
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