"Silent graphic novels have its roots in basic, ancient cave paintings"

Why a silent graphic novel Silent sequential art is a universal language It is a parallel language with a visual vocabulary If you are fluent in it mdash and anyone can be with some effort mdash this offers a new way to express and understand Legends of Halahala is being read and enjoyed by many non Englishspeaking people from across society It is a very basic form of conveying an idea I see its roots in ancient basic cave paintings A panel from The Accordion Manoeuvre Art work courtesy Legends of Halahala Appupen HarperCollins India The silent comic makes the reader interpret the story His interpretation may not be exactly that of the artist but with the provided visuals as guides he builds the story in a customised manner The readersrsquo participation makes the story They help suggest ideas subtly without distracting the viewer from the flow of the story And lsquoreading between the linesrsquo takes a whole new meaning with visuals All this means the artist has to work hard to convey only the desired idea and be consistent to win the trust of the reader This is the tough part but I see myself as an artist working on a painting rather than a writer behind sheets of paper Irsquom trying to experiment with this form of art and see where we take each other A panel from Oberian Dysphoria Also I think very visually I scribble down ideas in picture form mostly I call this my silent phase and I need to be able to tell all kinds of stories without words There is much exploring to be done in this scene with the next book Aspyrus and Legends of Halahala 2 What was the inspiration to work on a collection of graphic love stories instead of a single story Itrsquos easier Also I want to play with the image of Halahala in the readersrsquo minds If you are a Moonward reader then Halahala has appeared grey and dark to you but only because the ideas demanded it Now itrsquos important to show other sides of Halahala which is a parallel world where all kinds of lives are being lived With Legends of Halahala we travel from a seemingly medieval setting with kings and castles to a noir satire and then into a timeless lush magical jungle with strange creatures A panel from 16917Prsquos Masterpiece Then therersquos a postapocalyptic setting with cities under domes and wasteland outside and then an urban folktale These stories should convey that Halahala is a vast place with a rich history and culture and a collection of its own creatures and realities They are all Halahala love stories and therefore not typical earth stories For me it is also about different types of love stories mdash say between an artist and his work or his own name as Irsquove tried to suggest in one of these stories How would you describe the world of Halahala to the typical graphic novel fan It is a mythical magical world growing with each book Even though parallels can be drawn with our own world realities are different in Halahala and stories can take any form Moonward dealt with the beginning of Halahala mdash the origin of the world and in many ways the forces that determined its life A panel from Stupidrsquos Arrow We also move through in time to a seemingly futuristic point in Halahala time with super cities and exploited grey wastelands With this timeline set we now have stories from across time and various regions being explored in the Legends of Halahala series There are fantasy creatures and landscapes smoking dragons love and adventure all in original Halahala fashion A string of super heroes and villains are coming soon after Aspyrus the next book The colour palette varies with every story Was this deliberate and meant to reflect the different mood Absolutely I want to explode the concept of Halahala into a collection of many looks and styles that are flexible to suit the story This reflects the tone of the stories where some are outright comic and some have a more serious message and also help in refreshing the reader to start the new story in a new place This is something comics can do so easily over prose and along with the silent experiments it just goes without saying A panel from The Saga of Ghostgirl Your favouritemost challenging pick from this collectionand why Nope I like them all the same There are things that make each story stand out I have chosen these from a list of ten for being ripe and ready for telling Oberian Dysphoria and 16917Prsquos Masterpiece are my picks if I must choose The first has no humans It is in a lush magical jungle It was challenging to create creatures that are not human but still could convey all kinds of feelings and facial expressions since they donrsquot talk The latter because it is a oneman story 16917P comes out of a dome city where he doesnrsquot even have a real name into the wasteland outside The story wanders into more interesting territory for me mdash the artist and his signature Of course the stories have many layers to delve into and each person should have his own take this was mine Was there a point when you were tempted to revert to using words or was this always going to be a silent graphic novel These stories were scribbled down as silent stories on a beach after Moonward was published It was a reaction to realising that I had just been published And suddenly the dreamy idea of Halahala in my head was getting an outlet and maybe some acceptance There was so much to report from Halahala and I feel more comfortable without words right now Legends of Halahala Appupen HarperCollins India Rs 499 Available at leading bookstoresu00a0 InspiIration for the artist ldquoA few European artists have shown me that the silent format can be very effective in storytelling I love the woodcut novels of Lynd Ward from 1920s and rsquo30s and the more recent work from Lewis Trondheim and Guy Delisle Eric Drooker is an American legend in this scenerdquo Appupen