He's got designs on India

Over the decades yoursquove dabbled with several media which have you found to be the most challenging I consciously select the type of media mdash it emerges organically from my research as something of a natural choice So in that way each type of media is not a challenge but a reflection of the project that it projects You have said in an interview that you feel ldquofully Italian and fully Indianrdquo What is it that makes you want to return to India Has the experience been different each time Thatrsquos interesting mdash I think when I said that in the interview I was referring not so much to a national identity but to a complete interaction with the complexity of the culture When I say that I feel both Indian and Italian at the same time I think that this reflects the fact that I have been commuting between the two countries for three quarters of my life This stays the same despite obvious changes in India Europe and indeed the rest of the world Anastasio tries to incorporate everyday objects and people into his art as he believes that it encourages viewers to engage with the works in a more personal way In an age where the physical book is becoming redundant what are you hoping to achieve through your Chennai sessions First of all I think that I have to say that I donrsquot think that the physical book is becoming redundant I donrsquot believe that freedom from material objects means necessarily discarding the matter mdash which is of course the physical book The digital book is certainly a new innovation with its own momentum but at the same time there are still a huge number of forms that the physical book can take In spite of its centuriesold history it has enormous potential to be adapted Innovation is something that is wired into the human brain and interestingly it is often most striking and beautiful when it emerges from a narrow or precise context The book offers us such a context In the course of your research what have you found to be some of the most revolutionary strides made in bookmaking I see bookmaking as a work in progress that has been going on for centuries mdash a continuous narrative which is hard to pin down However the development of the nonlinear or nonlogical narrative stream of thought at the beginning of the 20th century seem particularly important to me Can the physical book and theu00a0ebook coexist in an ideal world Of course I believe that they can nurture and offer inspiration to each other What or who have been your inspirations across different media Were you influenced by anyone in particular as a youngster especially while you were forming impressions about the world of books Itrsquos hard to pinpoint a particular person but I would say that interdisciplinary approaches have been very important for me In this way you donrsquot have to study bookmaking to make books mdash whatrsquos important is to interweave knowledge The contemporary arts have also been very inspiring Fingerprint by Andrea Anastasio is a visual fable celebrating resistance to state surveillance and control It was published in India by Tara Boksu00a0in 2009 Where does India fit in the scheme of books and readers India has an enormously rich narrative culture which takes several different forms For example storytellers in Bengal produce scrolls and the oral tradition is so strongly linked to the book because remembering is in a sense creating The context of remembering is so central to Indian philosophy which makes India a cultural context perfectly suited to contribute to contemporary bookmaking Any projects that has you excited at the moment At the moment Irsquom working on several projects with Tara Books about Indian floor patterns or kolams as they are known in Tamil Nadu I wonrsquot give away too much but one of the books aims to give a sense of the actual process of creating a kolam mdash because the kolam is not something static but a process involving communication between the creator and the space she works in u00a0Other books in the series experiment with differently sized pages and a nonlinear narrative bringing the reader into the dialogue of the book These will be released in 2013