From 1940s to 1960s, Lokshahir Anna Bhau Sathe transmuted the traditional theatre form tamasha, and created loknatya. Through inspiring songs and compelling stories, the social reformer, writer and playwright from Maharashtra challenged the hierarchies of caste and class, and spoke about the lives of the downtrodden. Yet, it is only his literary contributions — novels, short stories and travelogues — which he is primarily remembered for, points out Pune-based writer, translator and theatre-maker Milind Champanerkar who is documenting Sathe’s loknatya. In an interesting virtual discussion hosted by India Foundation for the Arts (IFA) this Friday, Champanerkar will present his research into the advent, evolution, decline and influence of loknatya.

Ahead of the presentation, Champanerkar, a former journalist, editor and filmmaker, recalls that the seeds of the project were sown when he met a colleague’s mother who was associated with Lal Bawata Kalapathak, of which Sathe was a respected member when it was at its peak during the Samyukt (Unified) Maharashtra Movement (1952 to 1956). “She was over 70 years old. When we met, she began to sing Anna Bhau’s songs one after another, and I was surprised how she remembered them! I then went to some other villages in the Red Belt area of Maharashtra, and found that many people, though they are over 70 or 80, still recall Anna Bhau’s songs, and many younger women also know about him. I felt that this must be documented,” he reminisces. Champanerkar later applied for a grant with IFA, and his documentation will culminate into a short film featuring interviews with performers of loknatya, academicians and theatre-persons, and glimpses of loknatya plays.