Could a woman be so singularly focussed on begetting a male child that the lines between social conditioning and innate desires blur? A question that iconic Spanish playwright Federico García Lorca explored in his 1934 play, Yerma, is perhaps more relevant today in this part of the world. And it was this resonance that led noted playwright and director Mahesh Dattani to helm an Indian adaptation of Yerma for the annual production by the students of The Drama School, Mumbai (DSM).