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Krishna Reddy's prints return to Mumbai, reviving modern art's untold legacy

The works of one of India’s finest printmakers, Krishna Reddy, returns to the city to expand the story of modern art, and the untold story of the informal networks that sustained it

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The Many and The One, Krishna Reddy, 1971. Pics Courtesy/JNAF

The Many and The One, Krishna Reddy, 1971. Pics Courtesy/JNAF

While he is best known for pushing the boundaries on printmaking with his use of viscosity printing, it is Krishna Reddy’s constant pursuit to capture nature as process, rather than product that makes him unique. It is no surprise then that curator Puja Vaish, Jehangir Nicholson Art Foundation (JNAF), hopes the exhibition, The Many and One, sheds light on ‘Reddy’s work in the larger transnational history of art.’

Clown Dissolving, Krishna Reddy
Clown Dissolving, Krishna Reddy

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