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Haider is a travesty, as much as Maachis was

Let us, for a moment, assume that Vishal Bhardwaj’s latest movie, Haider, based on Shakespeare’s Hamlet, is a fair depiction of life and events in the Kashmir Valley, especially during the turbulent 1990s

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Let us, for a moment, assume that Vishal Bhardwaj’s latest movie, Haider, based on Shakespeare’s Hamlet, is a fair depiction of life and events in the Kashmir Valley, especially during the turbulent 1990s. Let us also assume that it offers what is touted as the ‘alternative narrative’, the ‘other version’ the untold story of excesses committed by the Indian Army, extensive violation of human rights by a ruthless state, and suppression of democratic dissent.

But first, a few words about the film. The script is taut and near-perfect (we are not looking at factual accuracy, but word craftsmanship). It has been penned by Vishal Bhardwaj and journalist-turned-writer-turned-Jack-of-many-trades Basharat Peer. A disclosure would be in order at this point: I have known, or used to know, Basharat Peer for long and have fond memories of conversations with him over coffee. I find, or found, him warm and affectionate. He has, or had, that rare human quality of being self-effacing.

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