Grabs you by the (eye) balls!
Updated On: 03 October, 2018 06:07 AM IST | Mumbai | Mayank Shekhar
Why director Sriram Raghavan's Andhadhun, which opens in theatres this Friday, is a cracker of a suspense-thriller

You only have to watch Tabu simultaneously display calm and frayed nerves, with a dead body and a blind pianist (Ayushmann Khurana) in her house, to realise how that scene alone should be a masterclass in film performance
Even before he made his directorial debut with Ek Haseena Thi (2004), produced by Ram Gopal Varma, director Sriram Raghavan, 55, was spoken of in highly reverential terms among film-buffs — chiefly for his FTII diploma film, from the late '80s. Titled The Eight Column Affair (edited by Rajkumar Hirani, with Nana Patekar in a cameo), the 30-minuter (available on YouTube) literally shows news coming alive, "when an athlete featured on the front page of a newspaper, falls in love with a tennis starlet, featured on the last page!"
Whatever you may think of his features thereafter (and there are only five), Raghavan's stature has only grown over the years as a bit of a master of the suspense-thriller, packaged entertainment. But more so as a filmmaker's filmmaker, given that discussion on his movies, particularly in geek circles, have centred on individual scenes/sequences, even references (James Hadley Chase) and nods (Vijay Anand), rather than merely plot, or performances, or box office figures alone.
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