Rosalyn D'Mello: Revising and rewriting who we are
Updated On: 03 November, 2017 06:14 AM IST | Mumbai | Rosalyn D'Mello
<p>Through the written word, we can return to moments in the past, break them down and see how we could have behaved differently</p>

There is something undeniably delicious about being able to watch a play while sipping on a glass of red wine. That is among the experiences that Odd Bird Theatre in Chattarpur allows us dilli wallas, apart from the luxury of being inside an exquisitely reconfigured warehouse space with great floor to ceiling depth, white interiors, an affordable yet gourmet menu, and did I mention, you fix the price of your wine? I went with one of my bestest friends, Bhuvana, for a production by the Tadpole Repertory, Quicksand. It was my second time there, as is obvious from my very recent raving about a venue that is already known for having transformed the vibe of a vicinity otherwise only known for farm houses. My first time was a few weeks ago, for Rehaan Engineer's three-person production of Brian Friel's Molly Sweeney. I hope, over the course of the next few months, to become a regular there. Maybe you'll even see me serving

I immersed myself in the post-twilight solitude that is peculiar to south Goan beaches, the lack of blaring noise or exaggerated lighting, little to distract you from the crashing of the waves and the tidal moon

