That which lasts forever
Updated On: 26 July, 2020 07:00 AM IST | Mumbai | Sumedha Raikar Mhatre
I was elated by the news of the possibility of a Corona vaccine; it was a refreshing feeling, even if the everyday reality hadnt changed.

A fossil made by Onkar Kshirsagar in the 2019 Aarey Residency, sponsored by Art Oxygen. It was part of the larger installation named Dead Tree
If an artist feels low, it shows, as it does in visual artist Onkar Kshirsagar's combined art mix-media creations spanning over last three months. Immediately after the national lockdown was imposed on March 26, Kshirsagar started visualising a barren black-and-white prakruti (nature) image. The national mood was somber and it reflected in his use of black rangoli, feathers, terracotta clay and ceramics.
Three mix-media works—titled Night, The Day and My Moon—on which he spent time in April, also followed the same colour scheme, spelling out the desolation. In fact, the home-bound 36-year-old chuckles while clarifying that his moon is not a romantic 'chanda', but an intriguing satellite created with white rangoli on plywood. "When you are trapped in your flat and a pandemic derails usual human activity, the sun, moon and stars emit gloomy thoughts. I used to count each day, and yet to no avail," says the artist, who also teaches art at a Borivli school. He currently works from his Charkop flat, unable to access his studio in the neighbourhood.
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