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That which lasts forever

I was elated by the news of the possibility of a Corona vaccine; it was a refreshing feeling, even if the everyday reality hadnt changed.

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A fossil made by Onkar Kshirsagar in the 2019 Aarey Residency, sponsored by Art Oxygen. It was part of the larger installation named Dead Tree

A fossil made by Onkar Kshirsagar in the 2019 Aarey Residency, sponsored by Art Oxygen. It was part of the larger installation named Dead Tree

Sumedha Raikar-MhatreIf an artist feels low, it shows, as it does in visual artist Onkar Kshirsagar's combined art mix-media creations spanning over last three months. Immediately after the national lockdown was imposed on March 26, Kshirsagar started visualising a barren black-and-white prakruti (nature) image. The national mood was somber and it reflected in his use of black rangoli, feathers, terracotta clay and ceramics.

Three mix-media works—titled Night, The Day and My Moon—on which he spent time in April, also followed the same colour scheme, spelling out the desolation. In fact, the home-bound 36-year-old chuckles while clarifying that his moon is not a romantic 'chanda', but an intriguing satellite created with white rangoli on plywood. "When you are trapped in your flat and a pandemic derails usual human activity, the sun, moon and stars emit gloomy thoughts. I used to count each day, and yet to no avail," says the artist, who also teaches art at a Borivli school. He currently works from his Charkop flat, unable to access his studio in the neighbourhood.

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