Mumbai sculptor finds his calling in scrap wood and The Space Age

Adi Davierwalla with a sculpture he made during a fellowship at The Rockefeller Foundation in 1968 Pic CourtesyZarine DavierwallaThe fringe benefit of having a sculptor for a father Zarine Davierwalla will tell you is that when you ask him for something utilitarian hell probably gift you something fantastical too As a 10yearold when she had asked for a study table lamp her father the late Modernist sculptor Ardeshir Davierwalla fashioned an assemblage of metallic rods and blue marbles evoking at once a starburst and primitive drawings Only Zarine says chidingly it wasnt a table lamp as she had requested but one that had to be mounted on a wall Once I saw it I knew I couldnt keep it all for myself laughs Zarine now 62The lamp is the first thing that catches your eye as you enter the living room of her home in Parel It was crafted in 1967 A year before that Davierwalla had executed a piece out of found metal and glass incorporating brass locks drawer handles and small glass ampules Titled Galaxy the work is now on offer as part of Christies upcoming South Asian Modern and Contemporary Art sale in New York Both the lamp and Galaxy belong to the same species of works by Davierwalla who was known to experiment extensively with a range of materials some of which were considered unorthodox for his timeA sketch with notes about Galaxy from Davierwallas sketchbook Pic CourtesyZarine DavierwallaFondly referred to as Adi Davierwalla was one of Indias pioneering Modernist sculptors and passed away in 1975 at the age of 53 He and Pilloo Pochkhanawala were among the first to set the tone for a new phase of contemporary sculpture in the country With several works in important collections such as the Tata Institute of Fundamental Research TIFR it is not often that his sculptures come up for auctionChristies informs us that in the last 10 years only five Davierwalla works have been offered for sale worldover and most have been small maquettes or models for larger pieces Which is why Galaxy one of Davierwallas larger works has caused quite some buzzGalaxy 1966 PicChristiesIt is only in recent years that the interest in Davierwallas legacy has been rekindled largely through the showcase provided by two iterations of the exhibition No Parsi is an Island A Curatorial Rereading Across 150 Years in 2013 and 2016 curated by Nancy Adajania and Ranjit Hoskote Adajania a cultural theorist says that when they showed sculptures and sketchbooks by Davierwalla in the first iteration of No Parsi is an Island in Mumbai people were amazed by how contemporary these works appearedDavierwalla had been supremely wellregarded in his own time but has been forgotten He died long before the boom in modern Indian art The last time his works were shown to the public on a grand scale was in 1979 when Ebrahim Alkazi hosted a retrospective on Davierwalla at Jehangir Art Gallery With No Parsi is an Island we wanted to bring to light the lost histories of Modernism and highlight artists who have been banished from a canon dominated by the Bombay Progressives and the Baroda school she says Icarus 1970 shown as part of No Parsi is an Island A Curatorial Rereading Across 150 Years at the National Gallery of Modern Art Mumbai in 2013Changing pathsDavierwalla was born in Sanjan a village in Gujarat and was sent to study at the age of six to St Josephs Boys School in Coonoor where he was till he turned 18 My father sketched through his school days he even made little sculptures with his penknife But his parents were keen that he pursue a more serious profession seeing that there was no money to be made in art recounts ZarineDavierwalla made large works for commissions This one titled Growth is at IITBombays campusGraduating from Veermata Jijabai Technological Institute VJTI in Matunga he worked as a pharmaceutical chemist at Continental Drug Company then in Worli where he met Melba Murzello whom he would marry My mother was a big influence on my fathers interest in art She asked him to give up a career in pharmaceuticals and was sure that should there be financial hardships she would be there to support him says Zarine At her home Zarine is surrounded by relics of her fathers legacy mdash the few that the family has kept after the rest were sold to collections notably Alkazis A chair a paletteshaped table and a bust of Christ mdash a gift to her mother mdash are among those that remainPlaying with materialsWhile Davierwalla learnt the basics from noted sculptor NG Pansare he taught himself skills such as welding and metal casting In search of material to work with he often sought out renovation sites of his own home and friendsCrystal and Gold A Monument to a Memory was made as a tribute to Dr Homi Bhabha Pic CourtesyZarine DavierwallFrom there he would collect scrap wood and metal allowing them to weather if required before using them in his sculptures In a sketchbook from 1962 he had jotted down a few verses among which was the line In a pile of junk sheer poetry As much as he valued scrap he also used new age materials such as Plexiglas soon after a fellowship at The Rockefeller Foundation New York in 1968 We brought back stacks of Plexiglas on our return to India Over here he could only make a limited series since neither was Plexiglas available nor was the right kind of adhesive says ZarineNoted painter Gieve Patel a friend of Davierwallas says that his sculptures could be broadly described as sometimes organic at other times geometric There are those that were related to the world of mathematics and ideal constructs that the human mind has fashioned There were those that were to do with nature and growth He was equally at ease with both of these says Patel who wrote the introductory essay for the 1975 monograph on Davierwalla published by Lalit Kala AkademiZarine Davierwalla shows a photograph of Falling Figure a 17feetlong work made by her father Adi Davierwalla for the Bhabha Atomic Research Centre The lamp Davierwalla made for her hangs on the wall PicShadabacircAcircAcircu00c2u0080AcircAcircu00c2u0088KhanInfluenced more by Western traditions of Modernist sculpture such as those of Constantin BracircncuEgraveAcircAcircu00c2u0099i and Picasso Davierwalla was practising at a time when sculpture struggled to be on equal footing with painting He also drew from Greek mythology and Christian themes for the subject and titles of his works Patel recalls his vast collection of Western classical music LPs which included not just the masters but contemporary composers as wellIn the 1950s and 60s critics from Britain and the USA made Indian artists feel uncomfortable by questioning our interest in Western art whether classical or modern These critics insisted that Indian artists turn to their own tradition What they were saying was Stay put However if Picasso could study African art and Matisse could turn to Persian art then Indian artists could look at Western art Adi and his generation were the first to strike out for this freedom to draw inspiration from anywhere anyperiod explains PatelDavierwallas works range from meditative sculptures in wood to dynamic assemblages in metal In a substantial set of works Adajania says that Davierwalla was influenced by speculative science fiction the climate of the Cold War Space Age explorations and advances in robotics and cybernetics Among her favourites she picks Icarus Icarus could be seen as an autobiographical work a young mans rebellion The tragic and the heroic were constant themes in his art says Adajania She and Hoskote are planning a retrospective on the artist as well as coauthoring a book on him in the near futureThe sad reality for sculptors such as Davierwalla is that publicly displayed sculptures are left to neglect and fall into a state of disrepair Three such large works including one called Surya Dev at Bhulabhai Desai Roads Ananta Housing Society have now vanished A Galaxy sighting is a grand occasion therefore Nishad Avari head of sale South Asian Modern and Contemporary Art Christies New York says that the iconic sculpture draws from Davierwallas scientific past and his close association with Dr Homi Bhabha and the TIFRIts a dynamic monument to pioneers like Bhabha who led the technological developments of the time and the expansion of our understanding of the universe he saysFor Zarine ever the daughter to her sculptor father it is far more dear The thing she loved the most about Galaxy was its whimsicality the way she could twirl and play with its suspended spheres