Nawazuddin: I want to go back to my acting coach and get yelled at

Nawazuddin SiddiquiHe has had four releases this year mdash Haraamkhor Raees Mom and Munna Michael mdash but he is far from done for 2017 He is gearing up for his next Babumoshai Bandookbaaz which courted controversy after the Censor Board asked for 48 cuts We catch up with the actor at a suburban club He is no longer the demure guy making monosyllabic responses He has reinvented himself as a thinking mans actor an artiste with global recognition and someone who the common man can look up to as the changing face of films in India In an hourlong chat we deconstruct the new Siddiqui mdash raring to go daring to experiment and unafraid to call a spade a spadeExcerpts from an interviewBabumoshai Bandukbaaz makes a massy hero out of you There is dance and dialoguebaazi like one Was that the agendaActors get excited about each and every film of theirs some films more than others This is my testing ground I am doing action and dance but it will be a failed effort if the audience doesnt take it well As actors we can do our best and hope for the best But in the current lull in the film industry everything is a gambleIts incredibly bold too to make a hero of a man who has no social values Did the censor folk put you in a sense of doubt or reassess your judgement of the story at handFortyeight cuts is no a laughing matter Audience kuch aur dekhna chaah rahi hai and CBFC kuch aur dikhana chaah raha hai There is such a hue and cry about box office figures dwindling and films not making enough money But the stories need to reassessed If we study the shift to Netflix or to the web well realise its due to better content The films that the censor folk rang alarm bells for have fared well The recent release Lipstick Under My Burkha was lauded So was Udta Punjab last year There is an eerie dichotomy between the content people desire and the impositions of the certification board This cannot be good news for content in general People favour authenticity real topics When you show reality you need to add the local flavour Real people have a different lifestyle now unke bhasha unke pyaar karne ka tareeka sab badal gaya hai What does the Censor Board want We dont touch upon real subjects and issues At the end of the day these are the films which put Indian cinema on the global map Safe romantic comedies are not the ones for festivals There is a hunger in the world to explore India for what it is We arent making enough local filmsYour next film is based on controversial Urdu writer Sadat Hasan Mantos life and works Are you worriedWe are petrified After the 48 cuts in Babumoshai Bandukbaaz I wonder if we will have anything more than the posters to show Manto took on subjects which people squirm from discussing even now He was controversial for the right reasons he was holding a mirror to the world I am keen to show the film to everyone We finished shooting a month ago now the VFX work is on It releases in March next year Your recent short film on Manto ends with Faiz Ahmed Faizs words Bol ke lafz azad hai terehellip In some ways the short suggested the world is moving backwardsIsnt it The things we could show in the 70s we cant anymore The world wants to watch pathbreaking stuff Our filmmakers dont have the free hand to show it With content going digital everything is a click away so why are we being prudes Lets look away from the hypocritical society we live in To say that things films are showing arent happening for real is living in denial We are compromising on content which we shouldnt be doing In your zest to experiment you did a film like Munna Michael Did its failure affect youMunna Michael wasnt my space but I wanted to give it a shot Reactions were polarised Of course it feels bad when films dont work This isnt my space but I take on such roles to stop myself from falling prey to monotony So there are no regrets Critics panned the film I am used to good reviews But I have become a pakka industrywallah This universe is made of praises and criticisms flops and hits we have to walk on I learnt this the hard way after Raman Raghav 20 2016 when international media raved about the film The reviews here didnt say the most flattering things There were lines like It was distastefully gory Anurag and I had joked then that we thankfully edited a scene of me cutting a mans throat in Gangs of Wasseypur 2012 with a peppy song playing as the blood spills out The Indian audience does not have the taste for gory cinema its an acquired taste May be someday such films will work too People are foolish if they think one flop can stop me from doing such films I love my dark zones complex characters with layers brooding personality and dysfunctional mind Thats my training Youve worked with Salman Khan and Shah Rukh Khan because you felt it helps you get a better audience for your indie films Now with the audience panning their films is it time to be more optimisticIt is presumptuous of us to say if a film doesnt work their star value is losing the Midas touch They are superstars their holding is different but yes the space and respect for content has gone up by notches I am happy with the offers coming my way and the success I feel empowered to pick up bold characters I could have been overconfident but when youve worked in theatre you know that overconfidence is a mirage Youll have bad days still and fall with a thud often I think after Manto I will take time off work and rest a bit I want to go back to my acting coach and get yelled at Relearning is the most important process for any actor to keep his craft polishedAlso see Who was Sitaram Panchal The tragic story of actor who died