Meghe Dhaka Tara(1960): The way Ritwik Ghatak used Rabindra Sangeet and the level ofu00a0 performance he gotu00a0 out of the leading lady Supriya Chowdhary act remain etched inu00a0 my mind. Ritwik was so aheadu00a0 of his times. He himself never knew why he was taking au00a0 shotu00a0 inu00a0 a particular way. Ritwik Ghatak understood theu00a0 poweru00a0 of sound and image.