Yatri for 37 years

It was an intimate and discomforting situation a family feud too close to escape from Tension escalated inching towards the classic incomplete slap after which the world must stand still for a moment But the patriarch of the family hollered pointing elsewhere though upwards towards the almighty but not really interacting with him Arre You are not getting it The light dims the moment she gets upOm Katare in saffron kurta directs a scene during rehearsals for Jeene Bhi Do Yaaro the play debuts at the Yatri Festival PicNimesh DaveBut there will be a blackout spoke the celestial voice Let there be a blackout Please do it according to plan bellowed the patriarch and suddenly changed expression as light fell on his face to complete his argument with the senior lady of the house in stunning almost schizophrenic switch of personality But there was no blackout He hollered again And the cycle was repeated AgainDisplaying this unintended but fantastic show of dual personalities were Om Katare and actors of his group Yatri rehearsing and managing the production of their new play Jeene Bhi Do Yaaron at Prithvi theatreA moment from Yatris play Jeene Bhi Do Yaaro PicNimesh DaveThe festivalThe play will be launched on January 13 as a part of the Yatri Festival It celebrates 37 years of the group and will also feature performances of their popular plays Chinta Chhod Chintamani Gaj Foot Inch Hadh Kar Di Aapne and Ravanleela at four city venues including Prithvi theatre which was where it all beganOm Katare founderdirector of YatriPrithvi is the only place where I can be at peace doing nothing at all I can spend hours here This is where I started my journey and performed the first houseful play and hundreds later over the years says Katare who began his directorial journey at Prithvi with Ek Tha Gadha in 1979I had no idea what the future of the play would be and booked just one Sunday at the auditorium with trepidation Given the option today I would book all Sundays for the next 10 years he saysNo time for classics But this is not the only change 55yearold Katare has witnessed He saw the commercial theatre movement build which he feels is scattered now with a new audience and transforming taste in theatreI came to Mumbai from Datia a district near Jhansi in Madhya Pradesh I was mesmerised by performances of Sulabha Deshpande in Vijay Tendulkars plays But classics have lost their appeal with the people Hardly anyone performs classics or plays of complex nature anymore Even if one does a production or two it becomes an exercise in selfsatisfaction with practical financial problems Katare explains looking at a man who had brought him bunch of bills But he adds that it does not mean that theatre now is completely devoid of traditional values A case in point he says is their new play Jeene Bhi Do Yaaro which deals with the modern relationship malaises including diminishing postmarital sexIt deals with a very real issue The fact that todays couples hardly have time for each other is obviously leading to an increase in divorces the audience connects with an issue like this immediately It is not a tragedy but it has pain but our take is not very grave he points outTo stay relevant they have performed everywhere We have performed for corporates and on the streets and if necessary we can also perform in drawing rooms he saysTheatre ebbKatare recalls how Mumbais theatre landscape which witnessed a positive productive time in the 1980s and had peaked in the early 90s ebbed thereafter It was a fantastic time It seemed like theatre could finally become a financially viable option but then it got scattered We still have full houses but the enthusiasm is not the same The audience has now split there is a separate audience for Yatri for IPTA and other groups and then there is a steady but smaller audience for all quality theatreHe does not hesitate to assert that theatre is not a financially viable profession in the country And points out that it is chiefly because of the lack of a culture that encourages paying for theatre In several parts of the country there is no concept of buying tickets for a play If there has to be a change theatre has to be introduced as a subject in schools like in many countries he believesHe then points out how some people manage to be a part of his group with steady jobs while some double it up with television work They often miss rehearsals and I understand that it is difficult for them I know their heart lies in stage and given the option this is the only thing they would do The stage has something magicalLog on to wwwomkatarecomyatriyatrifestivalasp for festival details