A still from Aniruddha Roy Choudhury’s Pink

I haven’t yet managed to see Aniruddha (“Tony”) Roy Chowdhury’s Pink, co-produced by Shoojit Sircar. I’ve been busy with back-to-back screenings in Mumbai for the Berlin and Dubai film festivals with Dorothee Wenner, the festivals’ South Asia programmer. But I’m keen to catch it. Even without seeing it, it is fascinating how the film seems to have divided critics gender wise — top women critics have largely welcomed it, top male critics have generally criticised it.