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Because dystopia begins at home

Here's how, I think, the lowbrow Hangover trilogy director Todd Phillips pulled off the bleak zeitgeist with Joker

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Joaquin Phoenix in a still from Joker; (inset) Todd Phillips, the director of the film

Joaquin Phoenix in a still from Joker; (inset) Todd Phillips, the director of the film

Mayank ShekharSurely the world's been rightly blown away by Joaquin (pronounced Waa-keen) Phoenix as Joker in Todd Phillips's 2019 masterpiece of the same name. Comparisons with Heath Ledger's equally delirious, "why so serious" turn in Christopher Nolan's The Dark Knight (2008) are inevitable. Let alone Jack Nicholson's popular rendition of the same part in Tim Burton's Batman (1989), which was closer to the comic book.

That said, The Dark Knight, in all its adult, dystopian bleakness, hinged on stark realism, was still very much "DC". How does one accurately place Phillips's Joker in the family-tree of films? One is tempted to draw up a mini-syllabus for a moviegoer. And, I say this having revised the material myself—the past couple of days since being hit by Joker; and further by its equally dark inspirations. To a point that I need help myself!

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