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The Karnad who also took on canards

Apart from his vociferous activism, a great way to know the actor-director-playwright is through a short doc by KM Chaitanya

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Girish Karnadu00e2u0080u0099s last defining image is of course the one from the street, holding an anti-hate placard, with his nostrils wrapped in an oxygen tube

Girish Karnadu00e2u0080u0099s last defining image is of course the one from the street, holding an anti-hate placard, with his nostrils wrapped in an oxygen tube

Mayank ShekharGirish Karnad (1938-2019) was known to brilliantly derive from Indian mythology, history and folklore, scripts that still made for the most relatable/contemporary plays. His major concern though, that he often articulated, is that Indians show scant regard for preserving and recording their own heritage.

This grouse might just as well be true for his life. You figure this, reading pages after pages of his obituaries. And yet these accounts, while generously listing his works, reveal so little about the man behind them. And by that I mean delicious anecdotes or untold stories from peers that make for the best form of oral history anyway.

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