In the Argentinian mute production, Dog Lady (2015), a middle-aged woman lives alone on the outskirts of Buenos Aires, with 10 dogs for company. In a self-imposed exile, the nameless vagabond does what other women in her situation would — forage for food, shower love on her only companions and stay away from name-calling humans. When the weather changes, she
visits a friend in the city, but doesn’t say or do much, except watch television.