Everyone's a masked beauty
Updated On: 08 June, 2020 05:41 AM IST | Mumbai | Ajaz Ashraf
With masks becoming the new normal, will we see the reinventing of the dynamics of human interaction, of the obliteration of class and looks divides, or will we simply find new ways of human segregation?

Commuters wear masks while waiting for a bus in Borivli. Pic/Satej Shinde
In Satyam Shivam Sundaram, a Raj Kapoor production of 1978, Rajesh (Shashi Kapoor) chances upon Roopa (Zeenat Aman), a village belle, whose dulcet singing and voluptuous body sparks in him an irrepressible urge for her. Rajesh is oblivious of the disfigured side of her face, always concealed from him by her pallu. The truth about Roopa's face is revealed to Rajesh on their nuptial night – he is repulsed.
In the end, though, Rajesh grasps that the true meaning of a person's beauty is in the magnificence of his or her spirit, which should be admired over what is skin-deep, the film suggests. Lavishly mounted and erotic, the film flopped. Perhaps the audience could not accept that Roopa's disfigurement remained invisible to Rajesh through their dalliance.




