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Student film explores the Dilwale Dulhania Le Jayenge phenomenon

An ambitious documentary by a London film student wonders what makes people drool over DDLJ 20 years after its release

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Natashja Rathore

Natashja Rathore

It is a Thursday morning, and 175 seats at the 1,000-seater Maratha Mandir at Mumbai Central are filled up for a matinee show of Dilwale Dulhania Le Jayenge (DDLJ). A confused rickshaw-driver from Bandra loiters by the ticket window. He is late by an hour. His wife is admitted at the neighbouring Nair Hospital, and he is looking for a little “time-pass”. DDLJ, now in its legendary 1,037th week, seems like a reasonably distracting option. It is fans like him that fascinate Natashja Rathore, a postgraduate student from the London Film School (LFS). Since May this year, she has been shooting with her seven-member crew for a feature-length grad film that trails the love path of the film’s protagonists, Raj Malhotra and Simran Singh, played by Shah Rukh Khan and Kajol.

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