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Birth of Cosmos: Neeraj Gupta’s Makrana Marble Masterpiece at Bikaner House, Delhi

Updated on: 18 November,2025 01:58 PM IST  |  Mumbai
Buzz | sumit.zarchobe@mid-day.com

Neeraj Gupta’s Makrana marble sculpture evokes cosmic energy through fluid, interwoven forms that mirror the universe’s timeless rhythms.

Birth of Cosmos: Neeraj Gupta’s Makrana Marble Masterpiece at Bikaner House, Delhi

Neeraj Gupta

Neeraj Gupta’s Makrana marble sculpture on display at Bikaner House in Delhi stands as a breathtaking evocation of the universe’s primordial rhythms-a cosmic configuration crystallized into stone. At first glance, it appears like a knot of celestial energy, a vortex of intertwined forms rising from a serene base into an explosive movement. Yet, as the viewer lingers, the work begins to reveal its deeper layers: the evolution of matter, the quiet breath of the cosmos, the eternal tension between chaos and order, and humanity’s timeless quest to understand the forces that bind existence together.

The sculpture’s flowing, interwoven loops recall the swirling formation of a neutron star-or perhaps the unseen geometries that govern the motion of galaxies. Its continuous, seamless curves resemble an infinite knot, a form without beginning or end, reflecting the cyclical nature of the universe itself. Within these spiraling forms, one senses condensed cosmic energy-an intensity pulsing through the marble, as though the stone itself remembers ancient explosions and stellar births.

Gupta’s choice of Makrana marble is both aesthetic and symbolic. Renowned for its luminous beauty and cultural resonance, this material-used in iconic Indian architecture such as the Taj Mahal-carries with it a sense of legacy, endurance, and purity. In this sculpture, the marble’s subtle grey, white, and pink tonal variations create a rhythm reminiscent of cosmic nebulae, galaxy clusters, or swirling star-forming gases. These natural veins echo the central theme: the universe as a dynamic, ever-changing symphony of movement and interconnectedness.


Structurally, the piece is composed of two primary sections: a calm, grounded base and an ascending cluster of interwoven loops. The lower part, with its soft, swelling contours, evokes a primordial landscape-an ancient terrain or the molten core of a forming planet. Here, polished surfaces alternate with textured ones, reflecting creation’s dualities: smoothness versus roughness, fluidity versus solidity, the known versus the mysterious. These rougher areas suggest the raw, unshaped matter of the early universe before gravity and time sculpted pattern from chaos.

From this stable base emerges the intricate upper structure-a constellation of forms that twist, bend, and weave around one another. Their upward motion suggests growth, expansion, and evolution, mirroring the scientific understanding of an ever-expanding universe. Yet the loops are far from random; they follow an underlying order, echoing the cosmic laws that operate with unwavering precision even when invisible.

Philosophically, the sculpture speaks to humanity’s enduring relationship with the cosmos. The universe is both familiar and unfathomable, nurturing yet unforgiving, comprehensible yet eternally mysterious. Gupta’s work captures this paradox: it is at once gentle and powerful, serene and dynamic, anchored in stone yet suggestive of perpetual motion. It invites viewers to reflect on the origins of life, the mechanics of time, and our fragile place within an immeasurable universe.

A strong spiritual sensibility also permeates the sculpture. Its interconnected loops recall ancient symbols of eternity-from the Buddhist endless knot to the sacred geometries of Hindu and Jain traditions. These forms embody unity, continuity, interdependence, and the eternal cycle of creation and dissolution. In this way, Gupta bridges science and spirituality, revealing that both seek answers to the same essential questions: Where do we come from? What binds us together? What forces shape our destiny?

Gupta’s approach to form is both architectural and organic. Each curve feels deliberate and precise, yet the overall composition appears spontaneous-as though it emerged naturally from the stone. This harmony between intention and intuition reflects the artist’s deep engagement with his medium. Makrana marble is unforgiving, requiring patience, sensitivity, and mastery. Under Gupta’s hand, the stone seems to soften, bend, and breathe. Its gentle translucency allows light to travel through the sculpture in soft gradients, creating a quiet inner glow. At some angles, the piece appears cloud-like; at others, it resembles bones, shells, or roots-fundamental structures that sustain life.

The sculpture can also be read as a metaphor for human existence. Its intertwined forms suggest relationships, collaborations, tensions, and the interconnected nature of society. Just as galaxies are bound by gravitational forces, humans are bound by shared histories, emotions, and collective aspirations. The sculpture’s upward movement symbolizes hope, evolution, and the enduring human desire to explore, create, and transcend limitations.

Within an architectural setting, the sculpture interacts beautifully with light and shadow. The structured geometry of its surroundings contrasts with its organic complexity. As daylight shifts, shadows weave through the loops, generating ever-changing patterns that animate the piece. This interplay reinforces the theme of continuous transformation-nothing in the universe is static, and even the most solid form changes with every passing moment.

Ultimately, Neeraj Gupta’s Makrana marble sculpture stands as a poetic tribute to cosmic creation. It is a universe held in stone, a neutron star frozen in fluid motion, an eternal knot carved from marble. It embodies the beauty of complexity, the serenity of balance, and the profound mystery of existence. With its majestic form and meditative presence, it invites viewers into an intimate dialogue with the infinite-encouraging reflection, wonder, and a renewed connection to the vast cosmos that surrounds us.

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