Directed by Rahi Anil Barve, best known for Tumbbad, the film stars Jaaved Jaaferi, Mohammad Samad, Veena Jamkar and Deepak Damle, and is largely set inside a dilapidated Mumbai theatre.
The film explores themes of illusion, greed, decay and psychological obsession, unfolding as a slow-burn drama rather than a conventional thriller.
Audience reactions have been sharply divided. While some viewers praised the film’s ambition and atmosphere, calling it a gripping psychological experience, others felt it was visually rich but narratively underwhelming.
Several viewers described the film as stylish and intriguing but ultimately going “nowhere,” suggesting that its layered symbolism does not fully translate into emotional payoff.
The supporting cast delivers steady performances, adding depth to the confined and unsettling setting of the theatre
Critics noted that the pacing may test viewers’ patience. While the film sets an intriguing tone early on, it struggles to maintain momentum and clarity as the story progresses.
Jaaved Jaaferi’s performance has emerged as one of the film’s strongest aspects. His portrayal of a troubled, obsessive character has been widely appreciated, even by critics who were less impressed with the overall storytelling.
The eerie atmosphere, production design and mood are repeatedly highlighted as strengths, creating an unsettling cinematic space that reflects the film’s central themes.
However, the narrative is seen as heavy and introspective, with scenes that feel stretched and ideas that are not always fully developed.
Overall, Mayasabha – The Hall of Illusion is viewed as a bold but polarising film. It is likely to appeal to audiences who enjoy experimental, atmospheric and character-driven cinema, while those expecting a tighter, more engaging narrative may find it frustrating.
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