Ruma from Kamathipura has big dreams. “One day my artworks will draw people from across the world to Kamathipura. They’ll come, and pay me; this time for my art. I’ll make a living out of it,” the 40-year-old, who migrated to the neighbourhood as a sex worker from Kolkata, tells us. At least some part of the dream is shaping up in front of our eyes at the Kamathipura BMC School, leading up to the first ever Kamathipura Kala Mela: A showcase of paintings, sculptures, and theatre made by, of, and for the women. Helmed by the Haan Hum initiative, a brainchild of artist-facilitators Jaimala Iyer, Anil Jha, Neethu Venkateshaiah and Girija Hariharan, the festival is a culmination of a nearly four-year-long effort to bring creative freedom to the marginalised, underserved and exploited. “I was introduced to the sex workers by their daughters who were part of the educational organisation Kranti. We’ve now become a sisterhood,” Girija smiles as we walk to the main hall. Women work on a large welcome mural Inside, that sisterhood is in full display. Women dressed to the nines in bright, heavy sarees, move with surprising ease, shifting cartons, hanging up fairy lights, making last-minute calls. Each pillar inside the hall displays a larger than life canvas. One that you cannot miss, came to life when the women laid down on the canvas, had their outline drawn, and filled it with their re-imagination of their bodies. Look closely, and you’ll spot smiling faces, hearts, stars, and a sun, emanating rays of hope. The paintings and portraits come out next from a box. Inside are individual works that represent ‘dreams’. A crayon sketch of a building by one of the members sports her name: Mumtaz Mahal. Another artwork rings a bell: Ruma Company. The spirited artiste we met earlier seems to have entrepreneurial ambitions as well. For Sujata, who was brought to Kamathipura as a 14-year-old from Hyderabad, hope is a vibrant tree. “I spotted it in Himachal [Pradesh]. I couldn’t take my eyes off it,” she reveals. Visitors can view all these, and more, at the two-day exhibition. Artistes participate in a theatre exercise during rehearsals “Any chance you can leave a few of these here, ma’am?” a spontaneous, polite query pops up. It is the BMC school principal who thinks they might make for valuable viewing for an upcoming cultural programme at the school. This is not the first time the BMC has extended a hand — education officers have given their nod for the festival to take over the civic body-run school. Canvases portray the women’s dreams and hopes The final act of our time being a fly on the wall, is witnessing a stage rehearsal of Raasta. The hour-long play is split into two halves. The first 30 minutes reveal the rocky roads [hence, Raasta] the women had to travel to find dignity and respect in society. “When we visit hospitals for tests, the staff is visibly afraid of pricking us to draw blood. There were times when our children were shown the door at schools because of the nature of our work,” says Deepa, who completes 12 years in Kamathipura this year. “We performed the play in Gujarat’s Karnavati University for a small batch of design students earlier this month. Being on stage felt like someone was looking up to me with respect for the first time,” she adds. A large community canvas depicts the sex workers’ reimagination of their own bodies A pivotal change is in the offing, we can feel it in the air as we step out of the bustle. A group of women, wielding paintbrushes and palette, are adding finishing touches to a wall mural that will welcome visitors today and tomorrow. There’s a conviction in their eyes, as if they were reminding us once again, “Haan, hum.” ON December 20, 4 pm to 8 pm; December 21, 10 am to 8 pmAT Kamathipura BMC School, 5th Lane, Kamathipura.LOG ON TO @haanh.hum
20 December,2025 08:57 AM IST | Mumbai | Devashish KambleYou can live all your life in a neighbourhood, and not discover its secrets. Coming across the names of Dombivli, Thakurli, Mulund, in a book about a Hindustani classical great was both a surprise, and a delight. Writer and journalist Sumana Ramanan’s part-biography, part-anthropological journey, The Secret Master: Arun Kashalkar and a Journey to the Edge of Music (Context) is as much a discovery of the music culture running through the working-class suburbs, as it is about a non-pareil practitioner of Hindustani music. The book follows the journey of Pandit Arun Kashalkar, a student of the famed Pandit Gajananrao ‘Gajananbuwa’ Joshi. The eldest of six brothers, four of them musicians, Kashalkar’s adept control, expertise of khayal gayaki, and command of the Agra-Gwalior-Jaipur gharanas is common knowledge among the art’s highest echelons, but not to the mainstream audience. Over seven years, Ramanan followed, and learned from Pandit Kashalkar to write about the life, times, and milieu of this artiste. Excerpts from the interview. How did Pt Kashalkar catch your attention? Take us back to the moment of discovery...I had been a concert-goer all my life, and yet I had not heard him. It was in 2016, at a private baithak that I stumbled upon his singing. The experience was quite transformative for me. Pt Arun Kashalkar at a performance with his guru, Gajananbuwa Joshi (centre) Was this impression purely technical?Firstly, in Hindustani classical music, you have the alaap and the taan. The norm is for vocalists to sing a slow alaap, and move to taans. But he [Kashalkar] had a grand middle section where he kept increasing the tempo slowly, and before you knew it, he arrived at the taans. He elaborated that section with lyrics, what we call ‘bol ka kaam’ in Hindustani which is like ‘neraval’ in Carnatic music. Secondly, his control of rhythm was exceptional. The highlight was the Darbari Kanada, where he did the grand nom-tom. And when he proceeded to the traditional composition of ‘Hazrat Turkman’, I felt like I was back in Akbar’s court. Pt Arun Kashalkar Throughout the book, he appears more interested in learning, rather than performing. Why?Secret masters like him nourish the roots of the art form. Performing musicians sometimes worry about being relevant to the market. For him, it was more an aesthetic and philosophical search. He was not unknown to musicians, though. Kishoriji [Amonkar] once said, “If you want to understand the role of rhythm in Hindustani music, go to Pt Arun Kashalkar.’ Sumana Ramanan The book offers detailed insights into the technicalities of Hindustani music, the gharanas, and khayal gayaki; not the easiest for some readers.To write about Pt Kashalkar, I had to analyse why he was marginalised, and understand the ecosystem that caused it. I knew these were complex elements. Therefore, I included explanations to help the reader as much as I could. The book is also a discovery of the invisible cultural thread beyond South Mumbai, in far-off suburbs like Mulund and Dombivli.I grew up in South Mumbai, speaking fluent Tamil, Hindi, and later learnt Marathi. But it was not till I visited Pt Kashalkar’s class in Mulund for the first time that a whole new Marathi culture opened up for me. Every day, I was traversing two worlds, spread across the length of South Mumbai and Mulund.When First Edition Arts wanted to present him, I remember taking him to a friend’s Bandra boutique before a concert, and he told me “This looks like America.” [laughs] The idea of a secret master in a performative world feels like an anomaly. Did he speak about it?I recently admitted to my guru that despite writing an entire book, I could not grasp that mystery. He [Pt Kashalkar] said that he did start out wanting to perform initially. But when the mainstream did not accept him, he created his own ecosystem, including listeners who understood him. You have to remember that the quality of listening in Khayal music is very important to the ultimate quality of the output. That was his great accomplishment. It is still a mystery to me though how he stayed so joyful. Few would be able to prevent themselves from growing bitter. AVAILABLE All leading bookstores and estoresCOST Rs 635
20 December,2025 08:54 AM IST | Mumbai | Shriram IyengarBusy is an appropriate adjective for vocalist and singer TM Krishna. “It has been a productive year — travel, work, writing, and singing,” he admits. This weekend though, he will return to Mumbai for a series of sessions that explore his idea of art. Hosted at the G5A Warehouse, the Carnatic vocalist will be part of the collective’s first chapter titled Voice and Responsibility. “I believe art is a dialogue. It reflects all that you see, experience, and even miss. I don’t think I can separate my music from other works,” he admits. For founder and artistic director Anuradha Parikh, it is a part of the core idea of the space. “The idea was never to build an event space, but a lab where concepts, artistic practices and productions are allowed to evolve organically,” she says. To that end, the sessions will weave experiences across artistic disciplines with Krishna opening the session with a performance followed by masterclasses and conversations; there will also be an evening dinner and conversation with the drag artiste Glorious Luna, and performances by the Chennai-based contemporary fusion band, Jatayu. “The conversations will be about building bridges, sharing art, and learning to listen; to be messy. After all, you are not an artiste unless you engage with the messiness of life,” Krishna signs off. TILL December 21 AT G5A Warehouse, Laxmi Mills Estate, Shakti Mills Lane, Mahalaxmi. LOG ON TO g5afoundation.org; skillboxes.com ENTRY Rs 499 onwards
19 December,2025 09:35 AM IST | Mumbai | Shriram IyengarVisuals embed themselves in the mind of a viewer, much better than theoretical information read from a textbook,” reflects Vidushi Uma Dogra. This writer immediately agrees, despite having an affinity for the written word. The 69-year-old Central Sangeet Natak Akademi Awardee and Kathak exponent has conceptualised and curated a show in Mumbai, which offers a window into the different styles of Kathak, more appropriately known as ‘gharanas’. It is titled, Echoes of Ghoongroos - Katha Kathak Ki. Vishavdeep Sharma depicts a Jaipur Gharana pose, with elements inspired by the Rajasthani folk dance, Ghoomar This ‘katha’ traces the dance form’s evolution in India over centuries, particularly how it transformed from storytelling into an expressive tradition. Dogra describes the concept, “The idea for this show stemmed from the desire to show younger generations who are interested in Kathak, how it has undergone so many changes over time. Earlier, it used to be performed in temples, for instance, to narrate mythological tales. Eventually, it experienced the Mughal cultural influence, and moving ahead, with the invasion of the British into India, it underwent challenges retaining itself as a traditional art, amongst others, but its knowledge was preserved by dedicated gurus of that time.” The emphasis, she tells us, is to portray this growth on stage for young minds, instead of simply teaching it through written materials. Anukriti Vishwakarma and Souvik Chakraborty Dogra’s production brings together four young dancers (all in their 30s, she points out) representing three different gharanas: Vishavdeep Sharma represents the Jaipur Gharana, Anukriti Vishwakarma and Souvik Chakraborty perform sequences of the Lucknow Gharana, and Vishal Krishna presents the Banaras Gharana. “Artiste Suhani Singh will act as the sutradhar, which, in literary language, connotes the ‘narrator’, who weaves different elements of the act together,” Dogra adds. enact Abhinaya, which connotes expressiveness, a key aspect of the Lucknow Gharana Lucknow Gharana prioritises elegant, graceful movements, while the Banaras Gharana concentrates on energetic and complex footwork and intricate rhythms. With the Jaipur Gharana, Sharma explains, “It has historical influences from temple dances. Dancers use their body to express the grandeur of stories, themes of spirituality and devotion, and a social identity.” Gharanas, he says, offer ground for a Kathak artiste to think, making it an evolving intellectual tradition, rather than a rigid form. “This show is rooted in respect for the grammar of the dance, and depicts that change is necessary, and traditions aren’t static. We will also perform lesser-known compositions.” “Ultimately, the aim is to show how Kathak has become what it is today, and how modern dancers include elements of all its styles in some manner,” Dogra signs off. ON December 20, 8 pm at The Studio Theatre, Nita Mukesh Ambani Cultural Centre, BKC. LOG ON TO in.bookmyshow.com ENTRY RS 750 onwards
19 December,2025 09:32 AM IST | Mumbai | Trisha GhoshDo you have plans this weekend? May we suggest a relaxed evening of crushing, rolling, and blowing — glass, of course. Rural Modern Glass Studio, the first glass-blowing studio in the city, is opening its doors to a three-hour-long walkthrough and hands-on demonstration under expert supervision. Shivam Agarwal, studio head, tells us participants are in for a tutorial in handling glass, a close look at the furnaces and machines that make the task possible, and understanding how colours work in glassware. “As a Christmastime twist, we’ll be shaping festive baubles using glass blowing techniques, followed by crafting our own candy cane décor,” he reveals. The studio will provide all safety gear, and will keep a close eye on the high-temperature affair. A flame-worked glass flower in the making. File pic; (right) A glass Christmas tree by glass artist Jeremiah Jacobs. Pic Courtesy/Reet Kaur Helmed by Agarwal and supported by artisans Kanhaiya Kumar, Upkar Thakur, Ajay Kumar, and Rohan Gangurde, you’ll learn two key concepts, glass blowing and flame working. “Glass blowing is a game of precision. The glass heats and cools instantly, leaving a short window for creativity,” Agarwal reveals. For those who like to take their time, flame working involves the use of more flexible borosilicate glass that allows you to shape and reshape your designs. Choose wisely, after all, form is temporary, glass is permanent. ON December 20, 3 pmAT Rural Modern Glass Studio, Unit No 20, Vaibhav Industrial Estate, Govandi East.LOG ON TO @ruralmodernglassENTRY Rs 6800
19 December,2025 09:24 AM IST | Mumbai | Devashish KambleSport is more than just competition. For people with disabilities, it can be a path to visibility, dignity, and self-worth,” writes Deepa Malik, the first Indian woman Paralympic medallist, in her foreword to India’s Paralympians (HarperCollins). This sets the tone of the new children’s book. It urges the readers to honour 20 champions from India who have left an indelible mark in eleven sports in the Paralympics. Every year, the para-athletes undergo intense disciplined training to participate in the international games. Through a brief history, the introduction to the book highlights how such sports events for athletes with disabilities, though on the rise now, can be traced back to the 19th and early 20th centuries. The concise biographies of the athletes enable us to understand which cities they come from, the unfortunate accidents or impairments at birth, their commitment, their discovery by coaches, and their journey towards winning championships. For instance, the story of the 18-year-old archer Sheetal Devi, who was born with underdeveloped arms, informs us of how she studied American archer Matt Stutzman’s use of his legs and feet. This helped her employ a similar technique to become the only female archer in the world to shoot with her feet. Navdeep Singh; and Devendra Jhajharia. Illustrations Courtesy/harpercollins; Mistunee Chowdhury We also begin to grasp, through these stories, the need for the necessary equipment, and accessibility to it. Recently, institutes like the Aditya Mehta Foundation (AMF), started by the para-cyclist, have been in the spotlight for being instrumental in this regard. They provide assistance with equipment and run training camps. Eleven para-cyclists from India, including Vishvaben Vasani Babubhai from Gujarat and Lisha Das from Assam, won medals at the Thailand Para Cycling Cup 2025, after receiving support from the Hyderabad-based foundation. Similarly, AMF’s young para air rifle shooters Khushbu and Banoth Pavani achieved great heights at the recently concluded 6th National Para Shooting Championship 2025. A great addition to the stories is the ‘Know More’ segment, which caters to curious young minds. Mistunee Chowdhury’s illustrations accentuate the stories. She uses cool colours predominantly, bringing a certain uniformity throughout the book, but the images stand out because of their dynamism. The athletes are caught in action. Their limbs convey a sense of their precision and skill. Their smiles in the portraits are luminous; their eyes carry determination. At once, we are drawn to them, ready to dive in, and celebrate the path they forged for themselves and for India by making history in the world of sports. Available Leading bookstores and e-stores Cost Rs 399
19 December,2025 09:15 AM IST | Mumbai | Nandini VarmaAll art is conversation, they say. Even between art forms, suggests Raell Padamsee. The theatremaker is in the midst of preparations ahead of the showcase of Shakespeare & Alyque Live On tonight at the Pundole Art Gallery in Ballard Estate. The performance marks another step in the revival of the famed Theatre Group Bombay — the 84-year-old Mumbai theatre institution founded by Sultan Padamsee in 1941. “We are exploring different spaces to perform Shakespeare in,” shares Raell. An art gallery is certainly a novel choice for the venue. Sabira Merchant as Lady Macbeth In July earlier this year, the group opened their first showcase with a reunion performance. This show marks their return to the public space. Reimagined by Raell and Craig Dequadros, the performances feature excerpts from iconic Shakespearean plays, many adapted by the late Alyque Padamsee during the group’s early years. The choice of a gallery to stage the performances was to underline the cross-pollination of the arts. The director explains, “The decision to marry the two art forms was important because everything would exist in isolation otherwise. Also, to put up a performance piece in a fine arts space is an exciting approach, even for the artistes.” Audiences will get to witness Sabira Merchant donning the character of Lady Macbeth, Nosherwan Jehangir and Farid Currim take on Othello and Iago, Denzil Smith as Macbeth, while Kunaal Roy Kapur steps in as Mark Anthony. MF Husain’s (right) poster for Alyque Padamsee’s Othello The space of the gallery will also play a role in the experimental nature of the performance, she adds. “We will be using technology, and adapting it to suit the performances. Normally, the walls on the backdrop showcase paintings. But projections will be a different kind of visual art,” the theatremaker tells us. Actors will make their entries and exits among the audience, eliminating the fourth wall, adding to the drama. (From left) Alyque Padamsee; Kabir Bedi and Vijay Crishna in discussion. Pic Courtesy/theatregroupbombay.com This approach is a throwback to the tradition that was part of the group’s origins. Founded in the early 1940s, the group witnessed performers across the artistic spectrum move in and out. Including a certain MF Husain, whose poster for Alyque Padamsee’s adaptation of Othello in 1990 will be a centrepiece of the discussion. While Kabir Bedi might not be present to re-enact his titular role from 1990, the showcase will capture Husain’s own view of the Bard’s Othello. Raell says, “We are lucky to have a visual of an artist’s own interpretation of the work that is very different to how actors or theatremakers imagine it. It also shows how different people engage with the same art form.” Nosherwan and Meher Jehangir as Petruchio and Katherine in The Taming Of The Shrew The performances will be part of an attempt to engage a new generation through a different approach, and to understand the relevance of Shakespeare in the modern world. “We will also be hosting a post-show discussion on the relevance of Shakespeare in today’s context. It will be an insightful discussion, I hope,” she concludes. As the Bard said, play on. Raell Padamsee ON December 19; 6 pm AT Pundole Art Gallery, Hamilton House, Ballard Estate, Fort. CALL 9819076263 (for reservation details)ENTRY FREE
19 December,2025 09:10 AM IST | Mumbai | Shriram IyengarThere are few things that capture the feel of the Maximum City like its attitude. In a city constantly defined by its hustle, it can surprise you with sassy gems of wisdom wrapped in humour. We thought the collection of T-shirts from the aptly titled Tees of Bombay is a perfect example of this self-effacing humour. If you are looking for designs that are simple, subtle, but as crisp as the fried remnants of a vada pav, the Bombay Classics might be your pick. From their takes on the rail hooks to the tongue-in-cheek ‘Nahi Jayega’ anthem of our city rickshaw wallahs, the collection offers something for everyone. What’s more is that the T-shirts are categorised according to the city’s neighbourhoods — from IC Colony to Bandra, Dadar to Mira Road, and South Mumbai. LOG ON TO teesofbombay.inCOST Rs 699 onwards
18 December,2025 09:42 AM IST | Mumbai | Shriram IyengarHeights of thrill Spend the festive weekend nestled at Prabalmachi in the Sahyadris, if you prefer adventure over partying. Enjoy easy treks, winter sunsets, starlit bonfire evenings with music, and hearty traditional fare shared in good company.ON December 20, 2025 to June 13 2026; 5 pm onwardsMEETING POINT Panvel station (Call for platform details)LOG ON TO in.bookmyshow.comCALL 8850258278COST Rs 899 Recharge zone Pic courtesy/Off the grid glamps Step off the grid and settle into an escape surrounded by nature. Start your days with yoga or journalling and end your evenings with hot cocoa, music, and relaxed do-it-yourself barbecues and brownie making experiences along with open jamming sessions, karaoke nights, and special movie screenings as well. ON December 20 to 31; 2 pm onwardsAT Adoshi Dam, Mandad Atkargaon, Khopoli. LOG ON TO offthegridglamps.comEntry Rs 3200 By the woods Pics courtesy/@bhatakna Celebrate the Christmas holidays with a laid-back lakeside camping getaway in Igatpuri. This picturesque site is perfect for comforting evenings by the campfire with soft music; you can also enjoy swimming in the lake (with life jackets, of course) for those who prefer a dash of adrenaline.ON Every weekend; 12.33 pm Meeting point Kasara railway station. (details revealed on registration)LOG ON TO bhatakna.comEntry Rs 899 Tranquil getaway Pics courtesy/saffronstays.com Head to this peaceful destination with Saffron Stays and enjoy the picturesque Mulshi Dam and the Sahyadris. You’ll be welcomed by a fully decorated Christmas tree.TILL December 31, 10 am onwardsAT Satori Mulshi, Village Ahirwadi-Pimpri, Pune. LOG ON TO saffronstays.comEntry Rs 9000 Tents by the shores Pic courtesy/@tentbythebay Get into slow-motion mode at a beachside camping escape at Tent by the Bay, located on Revdanda Beach, Alibaug. Enjoy bonfire nights under coconut palms. Evenings come alive with music, barbecues, and movie screenings.ON December 20, 2025 till year end; 4 pm onwardsAT Vaidya Wadi, Revdanda Fort, Portuguese Church, Alibaug. LOG ON TO in.bookmyshow.comEntry Rs 600 onwards Lake-side chill Pic courtesy/ @thelakestory_uksan The Lake Story is a quiet lakeside escape where you can hope to unwind with family, friends, pets, or if you prefer a solo holiday. Spend relaxed days by the water, choose between private or shared camping spaces, and enjoy calm evenings away from the hustle-bustle of the city. ON Every weekend; 1 pm onwardsAT The Lake story, Uksan Road, Kamshet, Lonavala. LOG ON TO thelakestory.comEntry Rs 850 (children) and Rs 1499 (adults)
18 December,2025 09:34 AM IST | Mumbai | Rumani GabhareIf you live with a furry friend, read this aloud at your own risk: Your pets are in for some tasty t-r-e-a-t-s at the Christmas dinner table this year. From ‘pupcakes’ to pet-friendly gingerbread cookies and ice cream, the city has laid out an indulgent spread. REPRESENTATION PIC/ISTOCK Inspired by her seven-year-old beagle Pacho, who was severely allergic to store-bought treats, Gaargi Prehar has been whipping up pet-friendly treats since 2019 at her bakery, Puplords in Lokhandwala. Here are two simple no-sugar, gluten-free, and guilt-free recipes from her cookbook. Coconut banana snowballs INGREDIENTS>> 1 ripe banana>> 1/2 cup unsweetened desiccated coconut>> 2-3 tbsp plain, unsweetened dog-safe yogurt (for coating) METHODMash the banana until smooth. Mix in the desiccated coconut to form a soft dough. Roll into mini balls. Lightly roll each ball in yogurt to coat. Re-roll the yogurt-coated balls in desiccated coconut to recoat. Chill for one to two hours to set. Gingerbread cookie Pics Courtesy/GaarGi Prehar, PUPLORDS INGREDIENTS>> 1/2 cup oat flour>> 1/4 cup pumpkin puree or unsweetened apple sauce>> 1 tsp unsweetened peanut butter (xylitol-free)>> 1/4 tsp ginger powder>> 1/4 tsp cinnamon>> 1-2 tsp water (if needed) METHODPreheat the oven to 160°C. Mix pumpkin/apple sauce, peanut butter, ginger, and cinnamon. Add oat flour and mix into a soft dough. Add water only if the dough feels dry. Roll to 1/2-inch thickness. Cut into small shapes, or use a gingerbread man-shaped mould. Place on a lined tray. Bake for 15 to 18 minutes until firm. Cool completely before serving. Vet knows best Dr Akshay Shah City veterinarian Dr Akshay Shah warns pet parents to keep any treats with these ingredients out of reach:>> Chocolate: Contains theobromine and causes vomiting, tremors, seizures, cardiac issues>> Grapes and raisins: May cause acute kidney failure>> Onion and garlic: Can damage red blood cells leading to anaemia>> Xylitol: A sugar-free sweetener, can cause sudden drop in blood sugar and liver failure>> Alcohol: Consumption can be fatal Canine-happy treats PIC COURTESY/ Frostreats >> Cool treats Frostreats’ Mango, Blueberry, Cookie and Cream or Vanilla flavoured sugar-free lactose-free ice-cream options make it a safe and indulgent treat.LOG ON TO frostreats.comCOST Rs 140 (125 ml cup) >> Healthy bites PIC COURTESY/APETTERLIFE A Petter Life’s Christmas cupcakes might look indulgent, but they pack a punch of protein with paneer and chicken. This kitchen uses natural pigments made from beetroot, spirulina and turmeric.LOG ON TO apetterlife.inCOST Rs 325 onwards (2 pieces) >> Cake cravings Go all out, and get a customised Christmas cake for your four-legged companion. Bombay Barkers offers salt-free, sugar-free, and all-natural cakes.CALL 9920816671COST Revealed on request
18 December,2025 09:29 AM IST | Mumbai | Devashish KambleThursdayPlay that song, DJ Be a part of a hands-on workshop by Hardik Dave (below) and learn how to be a Disc Jockey on your laptop like a complete pro.TIME 8.30 pmAT The DJ HD Blues Global Music Lessons, Kasam Baug, Malad East. LOG ON TO in.bookmyshow.comENTRY Rs 2499 FridayFilm break Pic Courtesy/fillum.in Join the 15th Short Film Marathon and explore movies like The Journey by Hitesh Agarwal, Cheeni Kum Hai by Rajat Verma, Dhumil by Manoj Shinde, and Alisha by Sajal Kumar . TIME 6 pmAT Artisan Coterie, Chikuwadi, Malad West. LOG ON TO fillum.inENTRY Rs 200 SaturdayPink parade A flamingo sighted in Mulund last year. FILE PIC/SHADAB KHAN Take a step back and observe the early flamingos before the full migration at the Airoli Creek, which is their winter home.TIME 7 am onwardsAT Flamingo Safari meeting point, Mulund East. LOG ON TO in.bookmyshow.comEntry Rs 499 Discover the artist Pic Courtesy/sarmaya arts foundation Discover the technique of printmaking with this hands-on workshop introduction to relief printmaking using a linocut block.Time 11 am to 2 pmAT Sarmaya Arts Foundation, Kala Ghoda, Fort. LOG ON TO urbanaut.appENTRY Rs 2360 Coast along Pic Courtesy/@indokayakjuhu Experience the thrill of kayaking along Juhu’s scenic shoreline to enjoy the perfect sunset or sunrise.TIME 5.30 am to 11.30 am and 3 pm to 5.30 pm on weekdays, and 5.30 am to 5.30 pm on weekendsAT near YMCA, Juhu Beach, Santacruz West. LOG ON TO @indokayakjuhuENTRY Rs 1200 onwards SundayTiny hands create art Representation pic/istock Let little hands and big imaginations come together to create and colour Christmas frames and celebrate the magic of the season at Deck the Frames, an art workshop. TIME 11.30 am to 1 pm AT Chhatrapati Shivaji Maharaj Vastu Sangrahalaya Children’s Museum, Kala Ghoda, Fort. LOG ON TO @csmvsmumbaiENTRY MuseumEntry fees apply Warmth for brunch Pic courtesy/@folk.kalaghoda Enjoy home-style Christmas food from Goa and Kerala at a brunch hosted by SoBo haunt, Folk and regional fare favourite, Aiyo Patrao.TIME 11 am to 2 pmAT Folk, Maharashtra Chambers Lane, Kala Ghoda, Fort. LOG ON TO @folk.kalaghodaCOST Rs 3000 (exclusive of taxes)
18 December,2025 09:27 AM IST | Mumbai | Rumani GabhareADVERTISEMENT
