Movie Review: 'The Secret Life of Walter Mitty'

Rating: 2.5

The Secret Life of Walter Mitty
U/A; Drama
Dir: Ben Stiller
Cast: Ben Stiller, Kristen Wiig

After watching Ben Stiller’s hilarious Tropic Thunder back in 2008, I expected his next directorial venture to also be a star-studded comedy. The Secret Life of Walter Mitty is not a comedy, it’s a tearjerker sappy dramedy and it’s a bad idea because drama is clearly not Stiller’s forte.

The second film adaptation of the short story of the same name and hitting screens after decades of development hell, The Secret Life of Walter Mitty is visually spectacular, but it doesn’t have a heart or a brain in its script to turn it into a memorable film. Stiller casts himself in the role of Mitty, an employee of Life magazine who frequently blacks out and daydreams about all kinds of stuff. On that front the movie is fun — the cutaways from reality to dream are seamless and moderately funny. It’s when the film tries to sentimentalize Mitty’s ‘problem’ and tries to make a statement about ‘quitting your job and living the dream’ that it fails to find footing.

One other problem is that Stiller in the lead role here is somehow dull and unsympathetic — you don’t feel anything for the character. Whether he rollerblades on an Icelandic highway, or escapes a volcano or flies a helicopter and jumps into the ocean, or climbs a mountain in Afghanistan, his expression never changes. Stiller expects you to be blown away by the imagery and Mitty’s experiences but his own expressions don’t register that feeling. It doesn’t help that Kristen Wiig once again plays an awkward-mildly-stuttering-but-likable character.

Stiller’s observations of the contemporary world remain intact. Tropic Thunder had a geek rambling about a Blu-Ray player in a PS3 as opposed to lack of one in Xbox 360, Walter Mitty sheds some light on the sudden tragic death of the print industry. There are a couple of sequences where the film becomes completely over the top in Mitty’s daydream cutaways, if only the rest of the film were as engaging and intelligent as those two scenes.

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