PRACHI SIBAL prachi. sibal@ mid- day. com For the last six months, city venue Studio Tamaasha has brought to the fore, new Indian writing in the form of dramatised readings. The format is simple u2014 a bunch of actors get together to rehearse a new play, read it aloud and this is followed by a discussion and feedback session with the playwright. This time, Mumbai and Goa- based Saudamini Kalrau2019s Seb Ke Beej is the choice.
Set in 1995 Delhi, the play with an all- male cast explores the lives of a few men and the concept of masculinity in that milieu. A movement runs parallel, one where young men come together in workout spaces and gymnasiums to talk about their issues. It is a newly emerging capitalist economy, unions are disappearing and men are troubled.
u201c They all know they feel a certain way but canu2019t put a finger on it,u201d says Saudamini Kalra who scripted the play as part of a five- month long Ideas Lab programme by Bangalore- based Indian Ensemble.
If the story has a familiar ring to it and it is Fight Club you remember, she admits she started out writing in hope of adapting Chuck Palhanuiku2019s acclaimed novel.
A third element of the plot involves the story of Paul Gomra ( a character borrowed from noted writer Uday Prakashu2019s story Paul Gomra ka Scooter) whose only dream is to own a Bajaj scooter. He ends up joining the movement and finds new meaning.
Seb Ke Beej has previously been presented as a dramatised reading in October last year, in Bangalore. The Mumbai version is directed by Sunil Shanbag who believes u201c the focus must remain on the text.u201d As such, he says, u201c It takes four to five rehearsals since a play isnu2019t easy to read.
Thereu2019s a bit of drama to it; no props or costumes. It isnu2019t an interpretation but a way to make sense of the play. It is the purest form of experiencing a play,u201d he adds.
ON February 29, 7 pm AT Studio Tamaasha, 602 Samartha Vaibhav, Milat Nagar Road, Lokhandwala Complex, Andheri West.
CALL 9004609272 LOG ON TO bookmyshow. com cost R 100 theatre Manoj Choudhary, Saudamini Kalra and Pritesh Bhandary at a reading of Seb Ke Beej in Bangalore ( Top) Sunil Shanbag; ( above) a New Writing session in progress Seeds of a movement A piece of new writing as dramatised reading speaks of masculinity in 1995 Delhi and a familiar fictitious movement
