National Award-winning filmmaker Aparna Sen yesterday said that though there are several women directors now, some of them like Farah Khan play by patriarchal rules to become successful
Farah Khan
National Award-winning filmmaker Aparna Sen yesterday said that though there are several women directors now, some of them like Farah Khan play by patriarchal rules to become successful. Sen believes women directors are "confident enough in their own skin to critique their woman characters" but there are some who play by the rules.
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"You have women filmmakers who have a male gaze. They play according to the rules of the patriarchal system and make a success of it. For instance, Farah Khan, who makes predominantly mainstream films, has a distinct male gaze, except that she has a tongue firmly planted in her cheek while playing the macho game," Sen said while delivering the keynote address at the fourth edition of the Gateway LitFest in Mumbai.
Aparna Sen
Sen, who made her acting debut with Satyajit Ray's Teen Kanya (1961), went on to establish herself as a successful director with acclaimed films such as Paroma (1984), Paromitar Ek Din (2000), Mr and Mrs Iyer (2002), 15 Park Avenue (2005) and Iti Mrinalini (2011). The veteran said the question is not really about gender as all true artistes are androgynous by nature. "Male filmmakers only need to tap their female selves in order to develop their female gaze as many great filmmakers have done. But why is it important to do so? Because the world has been run by aggressive males and landed itself in a fine mess. It is time that the female gaze made its presence felt both in cinema and in a world that's been driven by intolerance, greed, hate and lust."
She said gentler and more inclusive films should be made where multiple voices can be heard. Sen also said that sex is still a taboo and "patriarchy is so deeply entrenched" that even today the audience has a problem with a woman exercising her sexual choice or expressing her sexual desires.
"If we look at the depiction of sex, the male filmmakers will usually have the man in the role of an aggressor while the woman will remain passive. It will take an Alankrita Srivastava (Lipstick Under My Burkha, 2017) to show women's sexual desires in a way every woman can identify with. A filmmaker can have a female gaze while having a male protagonist," Sen said.
"That's the thing about today's female filmmakers. They are confident enough in their own skin to critique their woman characters. They are perfectly comfortable in empathising with their male characters when need be," she added. Recalling her own experience of turning director with her National Award-winning 36 Chowringhee Lane (1981), the director said there were not many women directors when she started off. "I had little to go by when I embarked on my lonely journey in 1980, except for films made by some exceptionally talented men like Satyajit Ray, Ritwik Ghatak and Mrinal Sen from my own native Bengal. G Arvindam and Adoor Gopalakrishnan from Kerala and Girish Kasaravalli in Karnataka to name a few. Filmmakers that I had worked with as an actor during my stint in mainstream Bengali cinema were far from encouraging. One of them asked me, 'I hear you're planning to direct a film'? 'Yes dada,' I said. 'Story by?' 'Me dada,' I replied. 'And screenplay?' 'Also by me,' I said. 'Very brave', he said, which was meant to be sarcastic," she said without naming the director.
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