Wednesdays are typically a day when most corporate folks prefer to wait it out, and count down to the weekend. Things got a shade interesting recently when the co-owners of Lyla, a Mexican-American restaurant in Bandra Kurla Complex decided to stir, or shall we say, light things up. Their Wednesday dinners will feature a candlelit setting that softens both the space and the pace of the evening. “The idea is to create a space that feels warm, easy, and a little more personal than a typical night out,” say co-founders Pawan Shahri and Nikita Harisinghani. A singer performs during a rehearsal (right) The space offers a low-key vibe for diners looking to relax. Pics Courtesy/Lyla “The candles change the way the room feels, it’s softer, and people naturally slow down. The sing-along element adds to that, it breaks the usual barrier where people just sit and watch. Instead, everyone is a part of the evening. It’s meant to feel like a mid-week reset rather than a high-energy night,” the co-founders share. Pulled BBQ Jackfruit Burger (right) Dirty Money The concept, they add, stems from a gap they observed in Bandra Kurla Complex’s social landscape. “There are enough places to go out, but not many where you can actually switch off and enjoy something without it feeling loud or transactional. We didn’t want to add another event night.” The idea was to create something where people would come back to because of their experiences. A live performer usually leads the session, though the emphasis remains on the room rather than the stage. “A performer guides the evening, but the idea is that the room joins in as much or as little as they like,” adds Harisinghani. “There’s no pressure; some patrons sing along, others listen, while some enjoy it as soothing background music; all three feel natural in that setting.” Pawan Shahri and Nikita Harisinghani The menu is the regular go-to existing all-day dining fave, featuring dishes such as Prawns Moilee, Truffle Mushroom Risotto, and Pulled BBQ Jackfruit Burger, alongside the classic cocktails like Dirty Money and Lyla’s Call. “The goal has never just been a full house,” Shahri adds. “It’s the person who steps in after a long week and leaves feeling a little lighter. If we get that right, everything else follows.” ON Every Wednesday; 8.30 pm onwardsAT Lyla Bombay, Platina Building, G Block, BKC. CALL 7304909066 COST Rs 2500 (for two)
07 April,2026 09:31 AM IST | Mumbai | Rumani GabhareIn Arun Fulara’s graphic novel Shera (Tulika Books), illustrated by Allen Shaw and originally a film by the same name, young Monu and Raju long to catch sight of Shera the leopard. When Monu hears that his family is leaving the Kumaon hills to move to the city of Mumbai, he hatches a plan with Raju. They decide to tempt the leopard with their goat Bijli, so it may appear before them. Will the boys be successful in their scheme? A moment from Fulara’s film. Illustrations pics courtesy/Allen Shaw; Tulika Books By highlighting that Monu and Raju are the only two children left in their village Mayun, the author and award-winning filmmaker comments on migration of the village and town dwellers to the big cities. The phenomenon, he hints, is becoming more frequent. Monu’s mother remarks how his cousins in the city can speak English fluently, while Monu struggles even with his mother tongue, Hindi. Fulara depicts a deep connection of the villagers with nature, not only through Monu’s yearning for the leopard and his pet goat, but through the lore the villagers narrate. Their sense of acceptance of the leopard as part of their surroundings, instead of othering it, is an important statement. Arun Fulara Allen Shaw’s use of earthy colours and open spaces add an idyllic appearance to the setting, with several conversations taking place outside of the homes among the trees, rather than inside. While the details are in the watercolour shades, the expressions of the Kumaoni villagers are articulated with immense precision. They amplify the nostalgic, and somewhat hopeful, hankering of the author for the older ways of life. LOG ON TO tulikabooks.comAVAILABLE Leading bookstores and e-stores
07 April,2026 09:25 AM IST | Mumbai | Nandini VarmaThe turn of the 18th Century seems light years away from the world of today. Yet, like poetry often is, William Blake feels prescient to singer Susheela Raman. “As soon as you read him, you realise that he was a visionary who believes in the importance of art and imagination,” she writes in reply to our questions. On Thursday, Raman will step on stage at The Prithvi Theatre, alongside actor Naseeruddin Shah, and composer Sam Mills, to bring Blake’s verses alive to a contemporary audience. Julie Christie reads from Enion’s Lament at the London performance. Pics Courtesy/Susheela Raman on YouTube A Golden String began in 2018 when Raman and Mills set Blake’s poem, A Sick Rose, to music. In the following years, they have added verses, poems, and compositions as they travelled to Paris, London, Jaipur, Agra, and Pondicherry before eventually arriving in Mumbai. Throughout this tour, poets, writers, and actors — Julie Christie, William Dalrymple, Jeet Thayil, and Khalid Abdalla among a few of them — have joined them. Why Blake? The Ancient of Days by William Blake (right) William Blake by Thomas Phillips. Pics Courtesy/Wikimedia Commons The London-based Raman quotes the poet in reply, “I must create a system, or be enslaved by another man’s system. I will not reason and compare: my business is to create.” She adds, “Blake treats human imagination as sacred, otherwise there is a whole machinery, both outside and even inside us, which will crush our sense of self and make it conformist, automated, and disassociated. We can see that today with digital technology and identity politics invading our brains. It all feels devoid of personality, yet we are drawn to participate.” Mystic connections (From left) Jeet Thayil, Susheela Raman, and Sam Mills perform in Pondicherry. Pic Courtesy/@susheelaramanofficial Theatremaker Mahmood Farooqui who has worked on the translations for Shah’s performance, also observes, “They [Blake’s works] are elliptical, mystical and deeply infused with Biblical references. Fortunately, much of Urdu and Persian poetry follows a similar strain.” Another key collaborator, composer Sam Mills is a PhD of Anthropology in Sufism. Raman compares Blake to the saint Kabir — uncanny, and mischievous. A visual artform Naseeruddin Shah The performance itself goes beyond music, as it brings to the stage the prints and engravings by Blake in the form of visual projections. Goa-based videographer and editor Hina Saiyada worked with curator Stephen Ellcock, and designer Sam Sharples on these visual additions. Sam Mills Each performance is also a new iteration in musical interpretation and language. Raman signs off by reminding us, “Blake was a kind of outlier to the Romantic tradition, which was about people reacting to industrialisation and the reasoning that came with it. That might seem like a distant historic thing, but in today’s consumer culture, we are still living in the Romantic era, where we have to think about our own uniqueness and personal choices.” An engraving by the poet on his book, Songs of Innocence, c. 1789 From April 9 to 12; 8 pmAT Prithvi Theatre, 20, Juhu Church Road, Juhu.LOG ON TO in.bookmyshow.comCOST Rs 1005 Poetic voices to the fore “When [Sam Mills and I] had written the songs, we liked the idea of presenting them with spoken interludes from William Blake’s work and with visuals taken from his art, which is as extraordinary as his writing. So, we have performed French versions in our shows in Paris and London. Every version has its own resonances. This time, Mahmood Farooqui has given us some Hindustani translation [to be read by Naseeruddin Shah]. For these shows, we are deeply honoured to work with Naseeruddin Shah who is such a brilliant actor. We will all witness how he connects with Blake’s energy,” reveals Raman. Blake’s songs Apart from being a poet, a painter, and an engraver, William Blake was also a musician. “Blake sung his own poetry and apparently, he had a good voice. But nobody kept a record of what he sang. He was born and lived in London, so he must have heard songs that were sung in the streets and in salons he attended. I imagine he was concerned with getting his words across, so the melodies would have been simple and direct,” Susheela Raman tells us.
07 April,2026 09:20 AM IST | Mumbai | Shriram IyengarLegends in the lab Imtiaz Ali showcased the ultimate coup on Sunday — an AR Rahman and Diljit Dosanjh collaboration! Just a casual day at an Andheri studio with enough talent in one room to power all of Mumbai Of pink carpets and power seating Friday set the bar so high, the weekend couldn’t keep up. And perhaps that is only to be expected when Nita Ambani decides to go all out to celebrate a cultural centre that not only bears her name but clearly has her heart. And so it was that Mumbai’s brightest (and then some) converged on NMACC at BKC on April 3, to celebrate three spectacular years. Nita Ambani The night’s leading lady led in a molten gold saree and provided more than mere glamour — announcing a new youth initiative to nurture global talent at the NMACC. Daughter Isha Ambani wore an exquisitely embroidered white Abu Jani Sandeep Khosla ensemble from their Phulwari collection, with dazzling Dior pumps. Ananya Panday followed suit in ivory; her hair adorned with fragrant fresh flowers for a spot of colour. The rest of the pink carpet was a delightful mix of ‘who’s who’ and ‘long time no see,’ from Shahid Kapoor to Suniel and Mana Shetty, Javed Akhtar and Shabana Azmi, Kajol, and Anupam Kher. The Tendulkar clan made their presence felt with daughter-in-law Saaniya Chandhok in tow, while Arjun was away on IPL duty. Kajol and Vicky Kaushal Inside the Grand Theatre, the seating chart was a masterclass in high-society synergy. Mira Rajput Kapoor was tucked in next to Kiara Advani, whose choice of a blush pink sari was a stroke of genius — it did wonders for her radiant new-mum glow. Meanwhile, the energy levels in the row seating Ranveer Singh and Vicky Kaushal were predictably off the charts — not that either of them stayed seated for long. While Vicky stood up to cheer through the spectacular set by Shreya Ghoshal and Shankar-Ehsaan-Loy — even coaxing Sachin Tendulkar to his feet — Ranveer, ever the livewire, sprinted onto the stage after a quick approval from Mukesh Ambani. It’s a struggle to pin down highlights from the night when they hit with such relentless, high-octane frequency, but let’s not forget to mention that even Salman Khan and AR Rahman made an appearance. Proof enough that when the Ambanis call, everyone answers. Belated birthday wishes It has been over a week since Swati Piramal celebrated her seventieth birthday in signature style, but the wishes continued to pour in at the NMACC on Friday night. Sporting a breathtaking art deco necklace with diamond and ruby earrings to match her pretty purple ensemble, Isha Ambani’s genial mum-in-law appeared to take a page out of her Alice in Wonderland-themed party — wearing a proverbial garden on her sleeve. Ajay Piramal with wife Swati The original celebration at the Piramal residence on March 28 was a relatively intimate affair — set, as Swati would like it, in her garden. Under the glow of fairy lights and giant organza butterflies, golden Chiavari chairs were populated by the city’s power elite. From Mukesh and Nita Ambani to Deepak Parekh, Prasoon Joshi, Akshay Kumar, Milind Deora and Pooja Shetty, the guest list was a sophisticated synergy of India’s top business minds, spiritual leaders, and members of the medical fraternity. Two towering, multi-tiered cakes marked ‘Seven Decades of Magic’ — a fitting tribute to a woman who wears the years lightly, and continues to bloom with undiminished grace. Playing on his own turf While the cricket world is busy counting boundaries, Yuvraj Singh has been occupied with a far more delicate sport: public diplomacy. Over the weekend, Sports Tak released clips from a recent sit-down with the star, and it has quickly become the only thing anyone in the cricketing circle can talk about. Yuvraj Singh In a rare display of public boundary-setting, Yuvraj finally addressed the verbal wildfires ignited by his father, Yograj Singh, over the years. By explicitly extending an apology to MS Dhoni and Kapil Dev, Yuvraj didn’t just wave a white flag — he reclaimed his own narrative. Watching him firmly state, “I told dad, it’s not okay,” felt less like family drama and more like the quiet authority of a man tired of being defined by anyone else’s outbursts. While the specific grievances are well-documented (if you know, you know), this statement wasn’t his only shot — the next one hit the commentary box. Yuvi made it clear he’d rather stay home than share a microphone with critics who turned professional critiques into personal attacks back in the day. While we scramble to figure out who’s on his blacklist, the takeaway is clear: Yuvi is finally playing on his own terms. Air cleared. Mic dropped. Prime time production If you thought Aap Ki Adalat had high stakes, you clearly weren’t on the guest list for Rajat Sharma’s daughter Disha’s wedding to lawyer Sudarshan MJ this weekend. This wasn’t just a nuptial — it played out like a televised national event, minus the commercial breaks! Sudarshan MJ and Disha Sharma From Prime Minister Narendra Modi making a grand appearance to the Khans showing up in full force (Shah Rukh in a sharp black bandhgala and Salman with his trademark swagger), the security detail alone probably had more firepower than a small nation. Add to the mix Amit Shah, Chirag Paswan, and Baba Ramdev, alongside industry heavyweights like Bhushan Kumar, Shilpa Shetty, and Jaya Bachchan — this was a dazzling showcase of sheer clout. The décor dripped in opulence, featuring a traditional South Indian aesthetic that blended the groom’s Tamil Nadu roots with North Indian grandeur, all wrapped in enough floral finery to cause a city-wide pollen alert. Of course, the real entertainment was watching political rivals play nice over appetisers. After days of festivities, our verdict is in: influence, excess, and seamless networking were all guests of honour here.
06 April,2026 09:38 AM IST | Mumbai | Sonali Velinker Kamat1 Root Leaf Fire (Penguin India) Co-authored by chef and food stylist Sheeba de Souza and integrated-lifestyle medicine expert Luke Coutinho, the book offers a realistic take on everyday eating, blending science-backed health principles with deeply personal, intuitive, flavour-driven everyday cooking. Built on three simple pillars — Root (foundation), Leaf (daily practice), Fire (the act of cooking) — it is a refreshingly grounded guidebook to staying healthy that feels achievable, not aspirational. 2 The Sailor’s Farewell (Tara Books) In 1910, Brazilian sea captain Joao Candido – also known as the Black Admiral — was one of the leaders of a revolt of sailors that changed the course of Brazilian history. It ended tragically, but his fate — tied to his call for resistance — went on to empower future generations. Brazilian author and artist Flavia Bonfim tells this hero’s story by using poetry, imagery and historic images to create cyanotypes. 3 Vikram and Vetala: A Transformative Retelling (HarperCollins India) Master storyteller Douglas J Penick reimagines the legendary Baital Pachchisi with lyrical depth, insight, and a blend of horror, humour, and philosophical intrigue. He seamlessly expands this classic frame by weaving in the origins of the Vetāla, and crafting a compelling overarching narrative that culminates in a powerful conclusion. This is a treat for fans of Gothic and horror fiction.
06 April,2026 09:31 AM IST | Mumbai | The Guide TeamEver pause by a tree to wonder how it came to be there? Sananda Mukhopadhyaya often does. On Saturday, the theatremaker and art-educator will walk through the verdant Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) lawns as she introduces participants to the stories of some of its natural residents. “My walk, Mumbai Overstory, introduces people to common trees in the city, because we do not often think of Mumbai as a particularly green city,” she says. The session will begin at the avenue between the museum and the National Gallery of Modern Art (NGMA), and circumnavigate the museum, before entering within. The walk stops by a Cannonball Tree The session is also tied to artist Navjot Altaf’s ongoing exhibition, Waste Archives as Landscape, at the Jehangir Nicholson Art Foundation (JNAF). In her curatorial note, gallerist Puja Vaish states, “The exhibition turns the museum into a space to consider transnational hierarchies embedded in the ceaseless circulation of objects, materials, people, plants and debris.” Sananda Mukhopadhyaya. Pic Courtesy/Sarmaya Arts Foundation To that end, it fits in with Mukhopadhyaya’s walk that will touch upon the memories of colonisation and urbanization that shaped the ecology of the city. “We are all coexisting as citizens of this island, and hustling for the same things,” she says. (From left) Karvy, Strobilanthes Callosa; Waste Archives as Landscape, 2025. Pic Courtesy/artist; Volte Gallery, Navjot Altaf: Waste Archives as Landscape, installation view, 2026. Pic Courtesy/JNAF and A Banyan Tree growing along the avenue. Pic Courtesy/Shruti Mehta On April 11; 9 am to 11 am At CSMVS Museum, Kala Ghoda, Fort.Log on to @jnafmumbai (to register)Entry Rs 1000 The og Greens of the city Old native A popular stop is the Peepal tree within the museum precinct. “a common, but distinct presence in Mumbai,” Mukhopadhyaya notes. Avian sounds Palash with its distinct orange flowers Keep your ear out for avian life found around the museum owing to abundance of fruitarian and shade trees. “The first thing you notice is that the soundscape changes with bird sounds. I have often spotted a family of Grey Hornbills in the Rain Trees,” she recalls. Leaves of fire One of the theatre maker’s favourite stops is the Palash Tree or as it is known ‘Flame of the Forest’, with its vivid orange leaves.
06 April,2026 09:23 AM IST | Mumbai | Shriram IyengarStrictly joking Sahil Shah’s panel show Unpopular Opinions might raise a few eyebrows. With Atul Khatri and Viraj Ghelani joining the weekend panel, we’re bracing for comic impact.ON April 10; 8 pmAT Khar Comedy Club, Platinum Avenue, Linking Road, Khar West.LOG ON TO in.bookmyshow.inENTRY Rs 499 Woman’s world From viral skin-influencers and dating apps, to the constructs of patriarchy, Rohini Ramnathan’s new play Khush Aurat spares none. Don’t miss Garima Yajnik’s opening musical act that is an ode to womanhood.ON April 7; 8.30 pmAT antiSocial, Lower Parel.LOG ON TO @akvarious.comENTRY Rs 750 Best of both worlds Electro concert or a live acoustic show for the mid-week blues? Fusion band Lokan ticks both boxes with their electro-acoustic mixes at this free-for-all gig. ON April 8; 9.30 pmAT Bonobo, Kenilworth Plaza, Bandra West.CALL 9619930030
06 April,2026 09:19 AM IST | Mumbai | The Guide TeamIf you know someone who needs an ego check, send them trekking to Bhandardara this weekend to marvel at the Milky Way, which spans 100,000 light years across its diameter. For context, the Sun that dwarfs us is just one of the at least 100 billion glowing stars in the spiral, disc-shaped galaxy. In one pale blue dot that sits halfway from the core of this galaxy, astronomers like Mihir Gilbile find the perfect window from March to May to leverage the Earth’s relative position to the Sun, and look directly at the Milky Way. C 63 Helix Nebula This weekend, a guided tour will host enthusiasts for a space jam under the dark skies of Sandhan Valley in the Sahyadris. “Young enthusiasts today aren’t satisfied just by looking into a telescope. They want to know what they’re looking at, and what it is made up of,” says Gilbile, who leads the Horizon Astro Society. Rho Ophiuchi cloud complex The session includes a lesson on galaxies, a tutorial on night sky photography, and a constellation spotting activity. And then around 3 am, the sky deepens into its darkest hour, revealing the Milky Way in its luminous glory. Orion Nebula ON April 11, 18 and 25; 1.30 pm MEETING POINT Dadar railway station or Kasara railway station.CALL 8169167678ENTRY Rs 1,999 onwards Looking up Here’s what the group of astro-enthusiasts has observed during previous expeditions Mihir Gilbile Chasing the stars Rapid urbanisation is pushing astronomers in search of a clear view of the galaxy further away from the city. Mihir Gilbile reveals the true extent of the damage. Andromeda, our nearest large galactic neighbour. PIC COURTESY/Sanchit Darves >> Artificial light from industries and residential complexes leaking into the night sky makes it impossible to view lesser luminous celestial bodies. >> Air pollution and suspended particles in the line of sight paint a hazy picture of what is actually a bright spectacle. >> Over the last decade, the observation site has slowly shifted from Badlapur, to the remote Sandhan Valley, a shift of nearly 100 km, leading to an additional three-hour commute.
06 April,2026 09:15 AM IST | Mumbai | Devashish KambleAs the summer climbs to troublesome temperatures, Ramakant Mahadik often packs his cycle into the local train to Karjat. The outskirts of Mumbai offer the 72-year-old a chance to cycle in peace. But unlike others who might spend an hour on their bike, Mahadik (right) opened 2026 with six other cyclists on a 3850-km-long expedition across four countries. Cycling is his second love. Mahadik has been a mountaineer since 1982, and completed a Diploma Course in Mountaineering as an engineer. “My first winter expedition was to Gangotri in 1982,” he recalls. Soon, he would summit Bhagirathi in Kumaon, Suli Top in Uttarakhand, and later was a member on a civil expedition to Kanchenjunga in 1988. Ramakant Mahadik Having retired in 2012, Mahadik formed a group with cyclists from Mumbai and Panvel, many of them former mountaineers. Over the last decade, they have cycled their way through Maharashtra, on cross country trips from Mysore to Kashmir, and even to Leh. Yet, when the thought of an international expedition across four countries came up in 2025, the group was stepping into new territory. “We had planned to cycle into Bangladesh, and cross over to Myanmar to start. But the geopolitical situation forced our hand,” shares Mahadik. So, the six-member team of Mahadik, Sanjay Katti (68), Dhananjay Madan (67), Raju Patil (59), Monish Chakravarti (55), and Sanjay Kumthekar (62) flew down to Bangkok in December, cycling up to Laos, turning south to Cambodia, and onward to Vietnam. The 62-day-long trip (including stopovers) came with challenges, but also learnings. “You learn to adapt, work according to your limitations and needs.” the senior-most member of the group says. Back home, Mahadik continues to enjoy his long trips on the cycle. Does he worry about his age getting in the way? “The only time I worried was after my angioplasty in 2015. But it prompted a shift in lifestyle, in my diet, and exercise. Now, I cycle almost every day,” he says. Log on to @Ramakant Mahadik on Facebook Bicycle bliss Ramakant Mahadik offers handy advice to seniors . Be aware of your health issues and build fitness. Start with small circuits. Balance can be an issue with many seniors. Ensure that you have help at hand. Use cycling to destress and discover new ways to travel
04 April,2026 02:00 PM IST | Mumbai | Shriram IyengarAcross India’s tribal and folk traditions, art continues to evolve quietly, shaped by shifting environments, materials, and ways of life. Metamorphosis II, an exhibition curated by postgraduate students of Post Graduate Diploma in Museology and Conservation at the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), brings this ongoing transformation into focus. It situates these practices within lived contexts, where artisans create not for recognition but as part of ritual, utility, and community life, with knowledge passed down through observation and repetition. As we proceed towards the Premchand Roychand Gallery, curator Nilanjana Som explains the significance of the exhibition as it enters its second year. The students are first taught how to curate an exhibition alongside choosing the theme. The opening section welcomes visitors with the Cham masks by Chhemet Rigzin and Stanzin Chokdup, made entirely of clay, with nine masks emoting different expressions from peaceful to wrathful. Nilanjana Som Som elaborates, “These traditions have never been frozen in time; they have always responded to shifts in environment, material availability, and social structures. What we are witnessing today is not a break from tradition, but a continuation of its inherent adaptability — an ability to absorb change while retaining its cultural core.” Organised into three sections — Faith’s Formative, Nature’s Narrative, and Craft’s Creative — the exhibition traces how traditional art forms respond to changing social and economic realities while remaining truly rooted in their origins. TILL May 31; 10.15 am to 6 pm (Wednesdays closed)AT Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Kala Ghoda, Fort. CALL 69584400 ENTRY Museum ticket prices apply The Guide’s top picks Guru Rinpochey and Guru Dorje Drolo The Cham masks by Chhemet Rigzin and Stanzin Chokdup: The opening section explores faith formation through the ritual use of Cham masks in Ladakh. Worn during the sacred Cham dance, these masks anchor a deeply spiritual performance. As monks wear the masks, they embody the timeless triumph of good over evil. 100-motif Telia Rumal by Gajam Govardhana: The Telia Rumal, which originates in Telangana, is defined by intricate geometric grids and stylised motifs, created with natural dyes and oil-treated cotton that gives the cloth its distinctive scent and softness. Woven using the complex double ikat technique, both warp and weft threads are resist-dyed to achieve precise, rhythmic patterns. Symbol of Unity by Arjan Singh: This Bhujodi textile is crafted with natural dyes and interlocking techniques that reflect community cohesion and shared heritage. Its motifs — such as Chaumukh, Dholki, and flowing patterns like Sathkani and Wankia — express protection, festivity, and movement within the Vankar weaving tradition. Tholu Bommalata showing Ramayana scenes by Sindhe Siva: This painted leather panel illustrates key Ramayana episodes in this shadow-puppetry tradition of Andhra Pradesh. Crafted from treated and perforated goat skin, the sequential composition guides the narrative through major scenes from Sita’s abduction to the final battle.
04 April,2026 01:59 PM IST | Mumbai | Rumani GabhareTemperature High by Swara Oza The latest in the refreshing wave of GPop (Gujarati pop) talent is Swara Oza. This snappy and hypnotic track captures the singer in her Goth, rebel chic element. Bairan by Banjaare A standout Haryanvi pop track, it opens with a soothing flute riff that sets the tone before easing into a catchy groove. Sideways by Charlie Puth Charlie Puth The blue-eyed boy of indie pop made a comeback with his new album Whatever’s Clever! last week after a four-year break. We’re glad to report the synth-pop track has everything we loved about him. Put Your Record On by Corinne Bailey Rae Corinne Bailey Rae The gifted British artiste, who topped the charts in 2006 with this hit track, is making waves once again. Listen to this easy-packed R&B/Neo-Soul ballad if you prefer nostalgia to noise.
04 April,2026 01:58 PM IST | Mumbai | The Guide TeamADVERTISEMENT
