Kanu Behl lashes out at multiplexes after Agra denied shows: “I will quit filmmaking”

15 November,2025 06:40 PM IST |  Mumbai  |  Priyanka Sharma

Director Kanu Behl opens up on his disappointment over multiplexes shortchanging him with limited screens for his film Agra. After a wait of almost two years, Behl’s film, which premiered at Cannes, was released on Friday on 70 screens across the country.

(L-R) Priyanka Bose and Mohit Agarwal in ‘Agra’


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The morning of a release day for a filmmaker is usually filled with hope, excitement and anxiety about the audience's response. But for director Kanu Behl, it was marked by struggle and disillusionment. After a wait of almost two years, Behl's Agra released on Friday on 70 screens across the country. The filmmaker criticised multiplexes on social media over the film's showcasing. "We're being denied shows because small films ‘don't fit into' multiplex chain programming," he wrote on X.

On a call with mid-day, Behl shared his frustration over the relentless fight he had to put up until the day before the release. "Till the last minute, we were told [by theatres], ‘We'll figure, but nothing [happened]," he said.


Kanu Behl

When told that only four shows were available in Mumbai on the opening day, Behl pointed out the irony. "On Thursday night, we held a screening in Bengaluru. We had to turn away people because it was houseful. We got a standing ovation. I did around 12 pre-release screenings in India and at least 10 were with aam janta. It played to packed halls," he said.

Agra has also gained recognition on global platforms, premiering at the Cannes Film Festival 2023. The anticipation was heightened because this is Behl's theatrical comeback after the 2014 acclaimed Titli. It's why the cold response of theatrical stakeholders has alarmed Behl - not for himself but for the future of young filmmakers. "If this is their treatment of a film that opened at Cannes, I shudder to think what younger filmmakers and the next generation will go through. Then they [multiplexes] turn around and say, ‘Aisi filme chalti nahi hain.' And those they run across 2000 screens, play to empty theatres. So when is this system going to change?"

Behl shared that releasing a film on the big screen is becoming a mental health crisis for independent filmmakers. "The illusion that multiplexes were there to accommodate all kinds of films is long gone. Now it is just about fighting for survival. But I am not going to fight for survival anymore. Either this system has to work or I'm out. I don't want to do this anymore. How long will a filmmaker fight? This is a larger mental health issue within the industry. This happened with All We Imagine as Light and Sabar Bonda. It will keep happening," he lamented.

Unless, the audience proves the decision makers wrong, Behl said. Even though the director never believed in putting the onus on the audience to make a film breathe on the big screen, this time he could only look towards the viewers for some hope. Behl said that if Agra doesn't find audience support, he would quit filmmaking.

"I really want to reach out to the audience and say, ‘It's in your hands. You come and watch this film and show these guys how much money a film like this can earn or I'm quitting filmmaking.' Mujhe nahi karna. I cannot struggle anymore. I will not keep pushing anymore. I will leave filmmaking. (In any other scenario) I would never put this sort of a responsibility on the audience. It's not their responsibility. It is of the gatekeepers. It is these guys who should be doing their job. But in the absence of that, I think the responsibility finally comes upon the audience, including me. This has to be a protest and some sort of a coming together for the audience. So, if there's only one show available, it should run houseful. If the audience wants to give them an answer and tell them what it wants, this has to come out of the social media echo chamber. Only that will wake these guys up."

Shouldn't the industry also unite against the crisis, we asked the filmmaker. The industry would never do it, he replied.

"Because they are a cabal. They're a mafia. They all have their families. They all have the kids within the families to protect. It is an incestuous sort of mafianess. So they are not going to move," he said.

It has been so long fighting this battle. Indie makers and their art often get overlooked in the wider cinema space. Keep at it, Kanu, your effort truly matters. Everyone should come forward and support small meaningful cinema by asking their theatres to give these films a fair chance
- Manoj Bajpayee

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