Thamma, Maddock Films' new horror comedy, is finally available for streaming. The box office triumph, starring Ayushmann Khurrana, Rashmika Mandanna, and Nawazuddin Siddiqui, will be available on Amazon Prime Video, the streaming service announced on Tuesday. On Tuesday, Prime Video announced Thamma's global streaming release date of December 16. The film is currently available via the platform. Thamma is part of the Maddock Horror Comedy Universe (MHCU), which also features the Stree flicks, Munjya, and Bhediya. Thamma is a supernatural horror comedy set in a fictional universe. The film follows Alok (Ayushmann), humanity's last chance, and Tadaka (Rashmika), a supernatural being traversing a land ravaged by darkness, while Yakshasan (Nawazuddin), a strong lord of darkness, threatens to bring the world to ruin. Despite mixed to good reviews, the film was a box office triumph, earning ₹135 crore net in India and ₹187 crore globally. About Thamma Thamma, produced by Dinesh Vijan under the banners of Maddock Films and Amar Kaushik, is directed by Aditya Sarpotdar and written by Niren Bhatt, Arun Fulara, and Suresh Mathew. Aside from Ayushmann, Rashmika, and Nawazuddin Siddiqui, the film also stars Paresh Rawal and Faisal Malik, with appearances by Varun Dhawan, Abhishek Banerjee, Nora Fatehi, and Malaika Arora. Ayushmann and Rashmika share their thoughts Ayushmann Khurana and Rashmika Mandanna got candid about the film. Ayushmann mentioned, “Thamma is unlike any other supernatural or horror movie, perfectly combining supernatural and horror elements with humour, romance, drama, and a heartfelt love story—something you don’t often see. That’s what excited me the most about doing it. I hunt for freshness and newness in cinema and storytelling, and I loved the script when I heard it. After all the love we’ve received, I’m glad that this unique film is now coming to Prime Video, where it can entertain not just audiences in India but viewers around the world who enjoy unconventional narratives.” While, Rashmika added, “Working on a supernatural comedy like Thamma was a first for me, and it was truly an amazing experience. The storyline, my character, the scale—everything about it felt just right, making it an entertaining film not only for audiences but also for me. I am thrilled that the film will now reach even more people around the world when it streams on Prime Video.”
16 December,2025 02:12 PM IST | Mumbai | mid-day online correspondentThe chilling tale from the first season of It: Welcome to Derry has finally come to an end, with the town enduring one last massacre at the hands of Pennywise the Clown. Titled Winter Fire, the episode was set in an icy, cold surrounding after the military successfully took down one of the supernatural monster's shelters. It is then that Pennywise starts targeting the rest of the kids. While Lily, Marge, and Ronnie set off to bring Pennywise's menace to a stop, following the trail of blood he left behind, the adults are also shown hatching their own plans to defeat the monstrous force. What ensues over the course of the finale episode is a massive showdown that producer-director Andy Muschietti described as "haunting and magical and spectacular," as per Deadline. Speaking on the same, series creators Muschietti and Barbara emphasised how the climax's liminal environment was not an intentional nod to Stephen King, but an overlap in the universe referring to words like The Shining and The Shawshank Redemption, stated Variety. Notably, the overlapping timelines were evident in the finale's post-credit scenes, which flash-forward to 1988. It also shows Beverly Marsh (Sophia Lillis) briefly before the events of the first film. The scene also features an elderly version of Madeleine Stowe as Ingrid Kersh. "Our first pitch to Stephen King was to tell the story backwards. I can't say too much about the logic behind it, because I don't want to spoil it, but it has to do with how Pennywise experiences time in a non-linear way. We sort of hinted at it at the end of the season," Andy Muschietti told Variety. Amid the heightened anticipation about the finale, it is worth mentioning that Pennywise's story is not over yet. A prequel to their 2017 and 2018 It films, Welcome to Derry is likely to come with a second season, with the events set in 1935 during Pennywise's awakening in the town. This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever
16 December,2025 12:36 PM IST | Los Angeles | ANIRemember the kid who gripped you with his earnest performance in Zakhm (1998) and his intense act as a heartbroken lover sporting long hair, that later became a trend in Kalyug (2005)? From his early days as a child actor to evolving into a writer and director with Madgaon Express (2024), Kunal Kemmu has consistently shown he’s an artiste of many talents. His recent viral acapella only reaffirms it. He is currently seen in the Netflix outing, Single Papa. In conversation with mid-day, Kemmu reflects on fatherhood, creative exploration, and why acting remains his first love. Excerpts from the interview: As a storyteller, do you find hard-hitting movies work better, or does humour make hard subjects more effective?It depends. I think it’s more palatable if it’s in the way of humour. Studies are also like that, when you try to learn it as a lesson, your mind wavers, but I feel we retain more when it’s told with humour. In Single Papa, we use humour with the family around it. It’s not preachy at all. But at the same time, it’ll definitely start a conversation. I feel with this it will reach wider [audience]. It’ll make you aware of things that I wasn’t aware of. But I don’t think there’s a right or wrong way [to tell a story]. A still from ‘Single Papa’ You’ve begun singing publicly — from acapella pieces to the title track of Single Papa. When did this musical side emerge? I think it has always been there. I’ve loved to write my own songs, compose music, and sing. I wasn’t confident or comfortable enough to bring it out to the world because I wasn’t sure. At some point I was like, ab nahi toh kab. So, I decided to put it out. I’m very happy that it’s getting love. So I’m just going to keep doing it. Did your experience of fatherhood influence the emotions you played on set, especially around your daughter Inaaya Naumi’s birth?It’s pretty much the same thing. I think as actors, we borrow or we create. We borrow from observing mostly. Sometimes we unknowingly create a bank of emotions that we’ve lived, whether it’s happiness, sadness, shock or whatever. It’s been a mix of all of those things. I won’t say that I was in the exact same situations with my daughter like I am in this show. But it is such a basic emotion. We just have to do it even if it’s not real. There were times when baby Amul was not in front of me and I had to emote looking at nothing. But that’s where acting comes in. I would be lying if I tried to draw a comparison saying that this is exactly how it happened. It’s not. But it is because of the experiences that I’ve had that I was able to recreate it. Director Shashank Khaitan said you were the only choice for the role. Why do you think he felt that way?I have no idea. You’ll have to ask him. I think he’s been fond of me as an actor for a long time. We’ve been discussing that we needed to find something together. I’m happy that he thought that I would be the ideal Single Papa. When I read it, I instinctively felt that I would be able to play this role and have a lot of fun doing it. Which role gives you the deepest creative satisfaction — acting, writing or direction?Writing [gives you the] creative freedom to do whatever you want to do, which then starts to kind of bottle down. Because the director has to deal with [a lot of things]. So, the freest form of doing it is writing. But my first love always has been acting. I don’t want to become a slave of my own trade. I don’t want to keep doing that same thing every single time. I feel that I’ve really liberated myself by being a writer and director. I’m thrilled that I’ve got opportunities to unleash all of these talents and find an audience out there it all. You’ve had multiple highs and lows since childhood. At those low points, did you ever sucumb to the pressure?Everything is in hindsight. I’ve realised you’ve got to just do what you’re doing and not take success very seriously and not break your heart because of failure. It’ll all change. What’s next? Kunal Kemmu shares that he is waiting for March next year to announce something new. ‘We’ll talk about it then,” he says.
16 December,2025 07:19 AM IST | Mumbai | Letty Mariam AbrahamIt’s not every day in Hindi cinema that one sees a story about a Muslim family, devoid of the community’s stereotypical representation. The Great Shamsuddin Family is a welcome exception in that regard. When we spoke with Kritika Kamra, she credited director Anusha Rizvi for showing a Muslim family through a new lens. “I agree that the film breaks the typecast of Muslim representation on screen. I’ve been part of projects where there is a certain lens of looking at the community. Although those stories are important, you also need stories like The Great Shamsuddin Family,” said Kamra, emphasising that the JioHotstar movie shows that people are more similar than different, irrespective of their backgrounds. “We have much more in common with each other than not, but somehow we tend to focus on the differences. Stories like this tell you how similar we all are eventually.” To Kamra, the dramedy — also starring Shreya Dhanwanthary and Juhi Babbar — felt so universal that the characters’ religious identity didn’t even register initially. “When I read it the first time, I didn’t even focus on the fact that it was a Muslim family.” When asked if telling such a story was courageous in today’s India, she replied, “I know that it shouldn’t be.”
16 December,2025 06:48 AM IST | Mumbai | Priyanka SharmaChitrangda Singh doesn’t pick projects for noise. She picks them for the feeling they leave behind. And that’s exactly why Raat Akeli Hai: The Bansal Murders became an immediate yes. With Raat Akeli Hai 2, she saw a role that isn’t loud, but potent. A story that lingers. And an emotional world she couldn’t resist stepping into Chitrangada Singh opens up about signing Raat Akeli Hai: The Bansal Murders “I’m drawn to stories that leave a trace on you long after you’ve walked away. Raat Akeli Hai 2 had that quiet tension and emotional weight that I find irresistible. The character lives in these grey, unsettling spaces, and exploring that was both challenging and deeply fulfilling. It’s the kind of part that changes you a little, and those are the roles I say yes to,” Chitrangda says. For her, the world of this film sits in that sweet spot she gravitates toward: human psychology, buried secrets, moral ambiguity. Stories that don’t end when the credits roll, but stay with you, tugging at some corner of your mind. RAH 2 offered her a character built with shadows, contradictions, and emotional residue. The kind of material she loves peeling back layer by layer. She’s been consciously leaning into work that expands her creative vocabulary. This year alone, she’s swung from broad comedy to a brooding crime thriller, and now has a big canvas drama like Battle of Galwan on the way. Even her upcoming podcast is rooted in deeper, more reflective conversations. It’s a phase where she’s choosing longevity and substance over scale, shaping a filmography that feels intentional and textured. More about Raat Akeli Hai: The Bansal Murders Produced by RSVP and MacGuffin Pictures, the film boasts a powerful ensemble featuring Radhika Apte, Deepti Naval, Rajat Kapoor, Revathy, Ila Arun, Sanjay Kapoor, and Akhilendra Mishra, each adding layers of intrigue and emotional depth to the narrative. Set in Kanpur, the story begins when the affluent and well-known Bansal family from the heart of Uttar Pradesh is found brutally murdered in their mansion. Jatil Yadav (Nawazuddin Siddiqui) is drawn into a web of power, deception, blind faith, and long-buried secrets, where every suspect hides a motive and every revelation peels back another layer of darkness. Director Honey Trehan, reflecting on the sequel, said, “With Raat Akeli Hai: The Bansal Murders, we’ve gone deeper into the world we built with Raat Akeli Hai. This film explores the price of truth and the corruption of conscience, with the stakes higher than ever as Jatil now has to unravel a mass murder. Working with Netflix again allowed us to tell this story with complete honesty and scale, delivering a thriller that grips you emotionally as much as it shocks you.”
15 December,2025 01:38 PM IST | Mumbai | mid-day online correspondentFrom the gothic vibe of Underworld: Evolution (2006) to the industrial thrum of Live Free or Die Hard (2007), high-octane sounds have dominated Hollywood composer Ceiri Torjussen’s career. The recently released third season of Delhi Crime was new terrain for him. “This season deals with a sex-trafficking gang. So, I had to figure out a sound that encapsulated the horror they wrought,” he reflects. The Welsh-born, Los Angeles-based composer returned to the Netflix series after scoring for the second season. But the Shefali Shah and Huma Qureshi-led third edition demanded a different soundscape. The result is a synth-driven, bass-heavy motif — built around the show’s antagonist Badi Didi, played by Qureshi — that depicts her power and cruelty. The music for the young girls, on the other hand, required a different emotional register. Torjussen explains, “Their sound needed to be sad, tragic, and unsettling.” (L-R) Sayani Gupta and Huma Qureshi in ‘Delhi Crime 3’ Torjussen and showrunner Tanuj Chopra began discussing the score, in early 2024, long before the composer saw any footage. Through those conversations, it became clear that Chopra wanted a balance through the score — the classic grit of Delhi Crime with its urban tension, and the devastating core of the sex-trafficking narrative. “Tanuj and the team were open-minded about how I should score the new season, but we did have conversations about themes. I wrote a bunch of music having just read the scripts, based on my own, visceral reactions to the story.” As he composed over 14 months, the challenge was musical restraint. He needed to articulate grief without slipping into melodrama. “I needed to keep the synth-based sound alive while addressing the tragic human consequences. It was hard being emotionally impactful without going over the top. Delhi Crime’s score shows that the scariest things are rarely the loudest.” For this season, the composer decided to use more traditional Indian sounds. He elaborates, “I focused on instruments like the sarod, santoor, and bansuri. I also included vocals. The latter two elements were recorded by Sheela Bringi. She recorded a few songs that I wrote as ‘wild-tracks’. I was then able to use her performances not only as the basis of certain cues, but also use isolated elements of the recordings. These sounds gave a much more human approach to my score, which was useful for the world of the young girls’ storylines.” Spot him if you can Way before finding success as a composer, Ceiri Torjussen oddly found himself in front of the camera. He spent a day as a background artiste in the Shah Rukh Khan-starrer ‘English Babu Desi Mem’ (1995). “I’m not sure I ever made the final cut, but I definitely spent a day with Mr Khan,” he laughs. International films on his résumé ‘Live Free or Die Hard’ ‘Underworld: Evolution’ ‘Tom Daley 1.6 Seconds’ ‘Nightwatch Demons Are Forever’
15 December,2025 07:53 AM IST | Mumbai | Mohar BasuDivyenndu has firmly established himself in the OTT world with offerings ranging from Mirzapur to The Railway Men (2023) and Agni (2024). But in the past few years, he has also noticed a change in its ecosystem. The actor, whose Saali Mohabbat premièred on Zee5 over the weekend, says that the web world once promised creative freedom, but is now increasingly practising self-censorship. He shares, “Whatever you’re writing, producing, or making, there’s always a legal team with whom you’re constantly cross-checking. Obviously, to be on the safer side, they’re always saying, ‘Cut this, remove that.’ At some point, you start questioning why this is happening.” The actor rues that the industry has forgotten how to take creative risks. Urging filmmakers and artistes to be more fearless, he says, “Even today, the majority of our films don’t work at the box office. So, just be more fearless, more open [to new ideas].” According to Divyenndu, that fearlessness is reflected by Mirzapur’s makers, who decided to take the popular series to the big screen with Mirzapur: The Film. Not just that, they did so without chasing star power, instead retaining the original cast that comprises Pankaj Tripathi, Ali Fazal, Rasika Dugal, Shweta Tripathi, and him, among others. “It [translating series into films] has been done before in the West. For a series like Mirzapur, the kind of scale we have, the world we’ve created, it justifies landing on the big screen. There is already a certain fan base, and the canvas is big enough. If this works, a lot of people will want to translate series into films,” he reflects.
15 December,2025 07:35 AM IST | Mumbai | Mohar BasuThe anticipation for Prime Video’s Fallout Season 2 is reaching a fever pitch. With the highly awaited second season set to premiere on December 17, creators Jonathan Nolan and Lisa Joy, alongside showrunners Geneva Robertson-Dworet and Graham Wagner, are ready to invite us back into the wasteland that is teeming with radiation. Based on one of the most iconic video game series of all time, Fallout tells a story that explores the deep divide between haves and have-nots in a world where there is almost nothing left to have. Two hundred years after the apocalypse, the gentle denizens of luxury fallout shelters are forced to return to the irradiated hellscape of their ancestors — and find a universe that is as violent and complex as it is bizarre. Prime Video’s smash-hit adaptation returns on December 17, and the stakes have shifted dramatically: survival is no longer enough — the full-blown battle for the future of humanity begins. But before we dive into the neon-lit chaos of New Vegas, let’s revisit the explosive revelations that shook the world of Season 1. The Lie of the Vault Season one introduced us to Lucy MacLean (Ella Purnell), a starry-eyed "Vault Dweller" who believed that her underground society was humanity’s salvation. That illusion shattered when Vault-Tec’s darkest secret came to light — they didn't just survive the apocalypse; they orchestrated it. We learned that Lucy’s father, Overseer Hank MacLean (Kyle MacLachlan), was actually a pre-war executive cryogenically frozen in "Vault 31" to manage the population. When his wife escaped to the thriving city of Shady Sands, Hank tracked her down, retrieved his children, and nuked the city to protect Vault-Tec’s monopoly on civilization. Season 1 ended with a devastated Lucy rejecting her father and venturing into the wasteland to hunt him down. The Ghoul and The Knight Accompanying her is The Ghoul, played by the Emmy-nominated actor Walton Goggins. Once Cooper Howard, a famous actor and the literal face of Vault-Tec, he lost his family when the bombs fell. Now, he knows Hank MacLean is the key to finding them. Meanwhile, Aaron Moten returns as Maximus, a soldier of the Brotherhood of Steel. Maximus ended the season as a hero built on a lie: the Brotherhood believes he killed the New California Republic leader, Moldaver, securing a "Cold Fusion" infinite energy source for their militaristic faction. Maximus now wields the power he always craved, but remains separated from Lucy and trapped in a system that may be just as corrupt as the one she fled. What awaits in season 2 Season 1 ended with a tantalizing glimpse of Hank fleeing to New Vegas, setting the stage for the upcoming season. This lawless city will introduce Justin Theroux as the enigmatic ruler, Mr. House, a character poised to challenge our trio in ways the wasteland never could. Adding to the intrigue is Macaulay Culkin, joining the cast in an undisclosed "crazy genius" role that insiders suggest will shake up the show's dynamic. With the Cold Fusion reactor active and the secrets of the past laid bare, the race across the Mojave begins. Fallout thrives because it isn't just about monsters and radiation; it's a sharp, darkly comic satire of American consumerism and corporate greed. Whether you are here for the visceral action or the biting social commentary, Season 2 promises to be bigger, stranger, and more explosive than ever. War may never change, but TV this thrilling is rare. The show will premiere on Decemeber 17.
12 December,2025 08:19 PM IST | Mumbai | mid-day online correspondentPrime Video unveiled the trailer of the fourth and final season of its International Emmy-nominated original series, Four More Shots Please!. Signing off the year in style, the final chapter arrives just in time for the holiday season, giving fans one last, full-hearted reunion with the beloved girl gang that defined modern female friendship on screen. The new season sees the four divas return for one last round – to finish what they started. Stronger. Wiser. Unapologetically themselves. Produced by Pritish Nandy Communications and created by Rangita Pritish Nandy and Ishita Pritish Nandy, the final season of this International Emmy-nominated original series is directed by Arunima Sharma and Neha Parti Matiyani. Prime members in India and more than 240 countries and territories worldwide can stream the series from December 19 only on Prime Video View this post on Instagram A post shared by prime video IN (@primevideoin) About Season 4 Bringing back the stellar cast, including Sayani Gupta, Kirti Kulhari, Bani J, and Maanvi Gagroo in lead roles, alongside Prateik Smita Patil, Lisa Ray, Rajeev Siddhartha, Ankur Rathee and Milind Soman reprising their respective roles, it sees the quartet back in action with Dino Morea, Anasuya Sengupta and Kunaal Roy Kapur joining the ensemble this season. The trailer gives a glimpse into the end of an era. It's a vibrant, emotional, and gloriously messy peek into the final chapter of the quartet's journeys, loaded with the comedy that made millions fall in love with this franchise in the first place. The laughter that dissolves into tears. The fights that eventually heal. The mistakes that shaped them. The victories that mattered. And the unshakeable sisterhood that brought audiences back season after season. As Damini, Umang, Anjana, and Siddhi step into new phases of their lives, this season promises bold choices, long-overdue conversations, rekindled sparks, heartbreak, reinvention, and the signature chaos that made the show a cultural phenomenon. It's all here - only bigger, funnier, and more spirited than before. It's a finale built on vulnerability, growth, and the kind of friendship that stays loud, flawed, honest, and fiercely loyal. Actors reflect on the series “It’s rare for a show to touch lives so deeply, and Four More Shots Please! did that because fans embraced these four women exactly as they were – messy, brave, vulnerable, loud, loving, and real women with agency and distinct voices,” shares Sayani Gupta. “Damini has been a fun, liberating character to play for the last 8 years and I have literally grown up with her. As we close this chapter, I feel immense gratitude to the fans that stood by us, season after season with unbound love, affection and loyalty.” “Being a part of Four More Shots Please! has been one of the most meaningful experiences of my career,” expresses Kirti Kulhari. “Anjana’s journey – her strength, her flaws, her evolution – resonated with so many women across the world, and that love has carried us through four beautiful seasons. As we wrap this final chapter, my heart is full. This show became bigger than just a story. It became a voice. And that’s only because the fans held us, celebrated us, and kept us going from day one.” “Four More Shots Please! didn’t just give me a character. It gave me a tribe,” says Maanvi Gagroo. “From the very first season, Siddhi found a place in people’s hearts, and that connection is something I continue to cherish deeply. Every woman who saw a bit of her younger self in Siddhi made this journey worth it. This season is a celebration of the fans who have grown with us, supported us, and continue to love us unconditionally.” “Umang has lived loudly. Loved loudly. Broken loudly. And rebuilt herself loudly,” notes Bani J. “Fans embraced all her shades right from the beginning, and that love only grew stronger with every season. This finale is our way of giving back to everyone who rooted for this girl gang, who partied with them, cried with them, and celebrated with them.”
12 December,2025 12:54 PM IST | Mumbai | mid-day online correspondentThe first episode of filmmaker Vipul Amrutlal Shah’s debut web series for his newly launched digital vertical, Sunshine Pictures Digital, will drop tomorrow, marking a fresh beginning in his storytelling journey. The series is titled Bawra Mann, and its first episode will be available to stream tomorrow on YouTube. Bawra Mann is a stirring tale of ambition, gender bias, and the courage it takes to unlearn, evolve, and choose integrity over ego. Bawra Mann Plot Bawra Mann follows Ishaan, a brilliant but restless techie from Bengaluru, whose chase for success blinds him to the very dream that once defined him, uplifting rural women through meaningful innovation. His world collapses after a heated fallout with Megha, a bold and self-assured leader who forces him to confront his fragile masculinity and long-buried prejudices. Shaken and directionless, Ishaan retreats to his hometown of Betiah, where the quiet resilience of his mother and the unspoken strength of the women in his community help him rediscover purpose. As he rebuilds with humility, he finds himself up against a ruthless system that values profit over people. Just when his mission hangs by a thread, fate brings Megha back into his life, now an influential force in the tech world, holding the power to either revive or destroy his project. What follows is a gripping test of accountability, redemption, and rebirth. Episode 1 will set the tone for a journey of self-discovery, redemption and societal responsibility. About Vipul Amrutlal Shah Vipul Amrutlal Shah is a prominent name in the Indian entertainment industry, and has donned multiple hats - working as a filmmaker, screenwriter and producer. He began his journey with Gujarati theatre, performing across India, and then turned to television. He made his directorial debut in Bollywood with the 2002 film Aankhen, a gripping thriller that won five awards. He followed it with comedic and emotionally resonant films like Waqt: The Race Against Time. He turned to production with the comedy Singh Is Kinng and founded his own production house, Sunshine Pictures. Sunshine Pictures continues to remain the core domain that has delivered blockbuster films such as Aankhen, Namastey London, Singh is King, Holiday: A Soldier Is Never Off Duty, Commando: A One Man Army, Force, The Kerala Story, and many more. The banner also boasts an impressive slate of upcoming films scheduled for release in 2026. The digital wing will be led by the head of Sunshine Pictures digital, Sanjay Upadhyay and Produced by Aashin A. Shah. He has produced blockbuster films such as Holiday: A Soldier Is Never Off Duty, Commando: A One Man Army, Force, and The Kerala Story.
11 December,2025 06:45 PM IST | Mumbai | mid-day online correspondentActress Nimrit Kaur Ahluwalia is all set to take a leap in her career as she is set to join hands with Shaheer Shaikh and Mouni Roy in an upcoming OTT thriller project. The actress recently shared a series of behind-the-scenes pictures featuring the star-studded cast, including names such as Sanjay Kapoor, Shaheer Shaikh, Mouni Roy, Avinash Mishra, Harman Singha, and Asheema Vardaan. A source close to the project shared insight into the scale and excitement surrounding the collaboration. The source told IANS: “This is one of the most promising projects Nimrit has been a part of. Her onscreen character has the potential to hit the audience with her emotional depth and versatility. Bringing her together with talents like Shaheer Shaikh, Mouni Roy, and Sanjay Kapoor has created a lot of buzz internally as well.” The source added: “Shooting is now done. Shot across Mumbai and Punjab.” Details about the storyline and release are currently under wraps. Talking about the actress, she was recently seen in the Punjabi film Shaunki Sardar starring Guru Randhawa, Babbu Maan and Guggu Gill. Directed by Dheeraj Kedarnath Rattan, Shaunki Sardar is produced by Ishaan Kapoor, Shah Jandiali, and Dharminder Bataouli. The film arrived in cinemas on May 16, 2025. The film followed the story of three men who are bound by passion for fine dressing, adventure, and an unshakable moral code. Shamsher becomes a dreaded encounter specialist, while Karan, known for his fiery temper, never backs down from a fight. When Jagir returns from jail, he finds his proteges have grown into his equals, and as they navigate their entangled past. After starting her career in modelling and winning the Femina Miss Manipur title in 2018, Nimrit first featured in B Praak's music video Masstaani. She gained fame after featuring in the daily soap Choti Sarrdaarni in 2019. In 2021, she appeared in Bannet Dosanjh's music video titled Serious. From 2022 to 2023, she was seen in Bigg Boss 16. In 2024, she participated as a contestant in Khatron Ke Khiladi 14. This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever
11 December,2025 11:08 AM IST | Mumbai | IANSADVERTISEMENT
