Renovation of the centuries-old, 18-foot-long idol of the principal deity at the sprawling Sree Padmanabhaswamy Temple will begin soon, with sources saying the delicate process is expected to take at least four years. Along with the main idol, about 30 companion deity idols will also be renovated, sources said on Friday. The renovation of Anantha Padmanabha-Lord Vishnu in a reclining posture on the serpent Anantha-will be led by senior sculptors A R Durai Krishna Swamy and Thirukoshtiyoor Madhavan. An agreement was signed earlier in the day between the temple's managing committee and the sculptors, formally marking the start of the project. Temple sources said the idol, made of the complex amalgam kadusarkara yogam, contains 12,008 salagramas. The present idol was built in 1730 during the reign of Marthanda Varma, founder of the Travancore kingdom. Nearly 296 years later, it is set to undergo its first major renovation-a rare and historic moment for the temple and its devotees. Lord Padmanabhaswamy is revered as the guardian deity of the Travancore royal family. Officials said the work requires extreme care as it involves the original idol. Unlike routine maintenance, the renovation will be carried out in phases, following traditional methods and rituals to preserve the sanctity of the deity. Specialists in ancient temple craftsmanship will undertake the work. Sources said inscriptions related to the idol's original construction can still be seen in parts of the temple, including the Abhisravana Mandapam and the Ottakkal Mandapam, underscoring its historical importance. Temple authorities said all religious practices will continue as per established traditions, with arrangements to minimise disruption to devotees. The long timeline reflects the complexity of preparing kadusarkara yogam and the need to follow age-old techniques with patience and precision. Kadusarkara yogam is a traditional sacred mixture made from natural materials such as herbs, lime, jaggery, and binding agents, used to create temple idols. It is known for its durability and is believed to preserve the spiritual and physical integrity of ancient idols. The Sree Padmanabhaswamy Temple is one of the most revered temples of Lord Vishnu in the country. This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever.
22 February,2026 02:06 PM IST | Thiruvananthapuram | PTIBarcelona's towering Sagrada Familia basilica reached its maximum height on Friday, though the magnum opus of Catalan architect Antoni Gaudi remains years away from completion. A crane placed the upper arm of a cross atop the "Tower of Jesus Christ," the church's soaring central piece, which now stands 172.5 metres (566 feet) above the city, the church said. While the unfinished monument is already the world's tallest church, with Friday's addition, the Sagrada Familia inched closer to being done. The first stone of the Sagrada Familia was placed in 1882, but Gaudi never expected it to be completed in his lifetime. Only one of its multiple towers was finished when he died at the age of 73 in 1926, after being hit by a tram. In recent decades, work has sped up as the basilica became a major international tourist attraction with people around the world visiting Barcelona to see the monument, enthralled by Gaudi's radical aesthetic that combines Catholic symbolism and organic forms. The inside of the "Tower of Jesus Christ" is still being worked on and its exterior is flanked by construction cranes and scaffolding. But topping the central tower, which soars above the transept, has been a priority ahead of celebrations this June that will mark the centenary of Gaudi's death. The scaffolding surrounding the central tower is expected to be removed by June, in time for the inauguration of the "Tower of Jesus Christ," the church said. As Gaudi had planned, the cross has four arms so its shape can be recognised from any direction, said Sagrada Familia's rector, the Rev Josep Turull. If Barcelona's city government will allow it, the original plan also includes a light beam shining from each of the cross's arms, symbolising the church's role as a spiritual lighthouse, he added. Millions of tourists visit the Sagrada Familia every year, and entrance fees largely fund the ongoing construction. This year, the Sagrada Familia will hold several events to celebrate the Catalan Modernist's legacy, which includes other stunning buildings in Barcelona and elsewhere in Spain. The Sagrada Familia became the world's largest church last October, when it rose above the spire of Germany's Ulmer Munster, a Gothic Lutheran church built over 347 years starting in 1543. That church tops out at 161.53 metres (530 feet). A prayer verse from the Gloria that Catholics recite at mass is installed at the base of the cross installed Friday afternoon at Sagrada Familia, the church's rector said. It reads: "You alone are the Holy One, you alone are the Lord, you alone are the Most High." This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever.
22 February,2026 01:54 PM IST | Barcelona | APTwo robotic elephants developed by the Voices for Asian Elephants Society, a non-profit organisation, were unveiled at temples in this district, members of the group said on Friday. A robotic elephant named Neelamkulangara Vishnudasan was ceremonially unveiled at the Panavally Neelamkulangara Sree Narayana Vilasam Sree Maha Vishnu Temple on Thursday, February 19, according to a release. On the same day, another robotic elephant, Omkareswaram Rama Senapathy, was unveiled at the Omkareswaram Sree Rama Subrahmanya Temple in Cherthala. "Both elephants entered their temples amid traditional music, rituals, and vibrant celebrations, preserving sacred pageantry and Kerala's rich culture. This initiative offers a humane and culturally sensitive alternative to live captive elephants," it said. Members of the organisation said robotic elephants enable temples to uphold age-old traditions while eliminating the suffering, stress, and public safety risks often associated with parading live elephants. "Young elephants in the prime of their lives are dying-at an age when, in the wild, they would be mating, leading, and strengthening their family bonds," said Sangita Iyer, Founder and Managing Director of the Voices for Asian Elephants Society. "The recent stampede involving Thechikkottukavu Ramachandran, along with the tragic death of a mahout in a separate incident, underscores the urgent need for meaningful reform," Iyer added. Standing 10 feet tall and weighing around 500 kilograms, the robotic elephants are crafted from fibre and rubber to create a lifelike appearance. Their eyes, ears, trunk, and tail move electronically, and they can safely carry up to four people during rituals and processions, delivering grandeur without causing harm, it further said. Designed by Four He-Arts Creations in Chalakudy under artist Prasanth Prakash, the two installations are the third and fourth robotic elephants commissioned by the society, members added. This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever.
22 February,2026 01:38 PM IST | Alappuzha (Kerala) | PTIA special exhibition showcasing visual representations of the Mongolian culture has been opened on February 19 in New Delhi to mark over 70 years of the diplomatic relations between India and Mongolia, culture ministry officials said. The second of a two-day conference was also held at the Indira Gandhi National Centre for the Arts (IGNCA) to mark the occasion. At the opening event, Union Culture Minister Gajendra Singh Shekhawat said the conference reflects the shared spiritual and cultural traditions between India and Mongolia. The exhibition will be on display till February 25, officials said. Shekhawat said exchanges between the two nations have extended beyond religion to fields such as astronomy, calendrical sciences, medicine, literature, and philosophy. He also referred to the Mongolian Kanjur, the Buddhist canonical text in 108 volumes, considered to be the most important religious text in Mongolia. In Mongolian language, Kanjur means 'Concise Orders' -- the words of Lord Buddha in particular. It is held in high esteem by Mongolian Buddhists, and they worship the Kanjur at temples and recite its lines as a sacred ritual. The culture minister described Mongolian Kanjur as a "significant record of linguistic and philosophical scholarship" and emphasised its preservation and digitisation would strengthen civilisational dialogue and cultural diplomacy. Ganbold Dambajav, the Ambassador of Mongolia to India, described India as Mongolia's spiritual neighbour and a key regional partner. He highlighted Buddhism as a central shared value and referred to the preservation and translation of classical Buddhist texts. The conference provided a platform for scholars to examine the historical, cultural, and spiritual ties between India and Mongolia, including archaeological links, religious and literary traditions, Sanskrit manuscripts in Mongolia, artistic exchanges, and shared material heritage, the ministry said. The event brought together many scholars from India, Mongolia, France, and the US with 75 research papers being presented over two days. This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever.
22 February,2026 01:24 PM IST | New Delhi | PTIEminent Bengali author Mani Shankar Mukherjee, better known by his pen name 'Shankar', whose works transformed the mundane realities of urban life into timeless narratives and were adapted into films by Oscar-winning director Satyajit Ray, died here on Friday. He died in a private hospital due to old-age ailments at the age of 92. He is survived by two daughters. The Sahitya Akademi award-winning writer, best known for his iconic novel Chowringhee and a body of work that chronicled the aspirations, anxieties and moral dilemmas of urban India, had been ailing for some time. West Bengal Chief Minister Mamata Banerjee condoled his death, calling him "one of the brightest stars in Bengali literature" whose demise marked an "irreparable loss" to the cultural world. In a post on X, she said his timeless creations, from 'Chowringhee' to 'Kato Ajanare', from 'Seemabaddha' to 'Jana Aranya', had enchanted generations and brought to life the struggles of ordinary people. Born on December 7, 1933, in what is now Bangladesh's Jessore district, Mukherjee grew up in Howrah after his family moved to Kolkata before World War II. The son of a lawyer, his early life was shaped by modest means and a restless curiosity about the human condition, traits that would later define his fiction. Before becoming a full-time writer, he worked as a clerk to Noel Barwell, the last English barrister practising at the Calcutta High Court. Barwell's death left a deep imprint on the young Mukherjee. Wanting to honour his mentor but lacking the means to commission a statue or painting, he chose instead to write a book. That decision led to 'Kato Ajanare' (So Much Unknown), first serialised in Desh magazine in the early 1960s, and marked the birth of "Shankar". If that book announced his arrival, 'Chowringhee' made him a household name. Conceived, as he would later recount, on a rain-soaked day at a waterlogged Kolkata crossing when he gazed at the neon lights of the Grand Hotel, the novel opened the doors of the fictional Shahjahan Hotel to readers. Through unforgettable characters like the suave manager Marco Polo and receptionist Sata Bose, Shankar offered an insider's view of the city's elite culture, its business intrigues and hidden heartbreaks. The novel was adapted into a blockbuster Bengali film in 1968 and attained cult status. It was translated into multiple Indian and foreign languages, expanding Shankar's readership far beyond Bengal. Two of his other major works, 'Seemabaddha' and 'Jana Aranya', formed part of Satyajit Ray's acclaimed Calcutta trilogy. Ray, known for his global cinematic legacy, had personally called the young writer after reading 'Seemabaddha' in a Puja annual, asking him not to sell the film rights before informing him. The resulting films brought Shankar's sharply observed corporate and middle-class narratives to national and international audiences, with 'Seemabaddha' (Company Limited) and 'Jana Aranya' (The Middleman) winning accolades at international festivals. Another of his novels, 'Man Samman', was adapted into the Hindi film 'Sheesha' by Basu Chatterjee, while filmmakers like Ritwik Ghatak also attempted cinematic interpretations of his novel 'Kato Ajanare'. Over time, Shankar became one of the rare Bengali authors whose fiction travelled seamlessly from page to screen. Yet, despite his popularity, he occupied a distinct literary space during decades dominated by stalwarts such as Sunil Gangopadhyay, Shirshendu Mukhopadhyay and Samaresh Majumdar. His contemporaries often noted his discipline, wit and generosity towards writers across generations. Shirshendu Mukhopadhyay described him as a prolific author with a sharp sense of humour and deep respect for fellow litterateurs. Shankar's oeuvre was not limited to urban dramas. He wrote extensively for younger readers and produced bestselling memoirs that blended nostalgia with social commentary. His later works included deeply researched writings on Swami Vivekananda, notably exploring both the spiritual and human dimensions of the monk's life. When some critics objected to his portrayal of Vivekananda's everyday habits, his love for tea, music and cooking, senior monks of the Ramakrishna Mission defended his approach, praising him for showing a human side of the towering figure, he had once said. In 2021, he was conferred with the Sahitya Akademi Award for his autobiographical work 'Eka Eka Ekashi'. His books have been translated into English, Hindi, Malayalam, Gujarati, French and Spanish, ensuring his voice reached readers across linguistic boundaries. Shankar remained an acute observer of ambition and vulnerability: of the clerk who dreams, the executive who compromises, the receptionist who survives, the monk who doubts. With his passing, Bengal loses not merely a bestselling novelist but a chronicler of its post-Independence urban soul, one who turned rain-drenched pavements, hotel lobbies and corporate boardrooms into enduring literature. His death marks the end of an era, but the neon lights of Chowringhee and the moral crossroads of Jana Aranya will continue to glow in the imagination of readers across India and beyond. This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever.
20 February,2026 09:52 PM IST | Mumbai | PTIThe MIX, a Mumbai Indians Experience, a two-day experiential festival, is all set to take place this March. It reimagines how fans connect with the team beyond the cricket field - closer, more personal and culturally relevant. Scheduled for March 21-22, 2026 at Jio World Garden in Mumbai, The MIX brings together cricket, music, immersive experiences, exclusive merchandise drops, immersive brand experiences and more on a single platform - inviting a new generation into the MI #OneFamily universe. The MIX is co-produced and promoted by Mumbai Indians and BookMyShow Live. The Mix festival lineup The MIX represents a shift in how fandom is experienced in India to create a living, breathing cultural ecosystem where sport, creativity and community intersect. It marks a defining milestone in the evolution of Mumbai Indians from a cricket powerhouse into a broader lifestyle and cultural movement. It will transform into a high-energy cultural playground as genre-defining icons and new-age disruptors take centre stage. Leading the charge are global sensations CamelPhat, along with and some of Indian's most loved musicians and performers like Divine, Nucleya, Sanju Rathod and Mr. Belt & Wezol, who have carved their own space, much like Mumbai itself, and built movements by doing things in their own style. Bringing international heft is CamelPhat, the GRAMMY-nominated UK duo behind ‘Cola’ and ‘Panic Room’, known for immersive melodic house sets that build into euphoric crescendos and Dutch house favourites Mr. Belt & Wezol. At the centre of The MIX’s line-up is Divine, the voice that carried Mumbai’s gullies to the global stage, reshaping Indian hip-hop with anthems like ‘Mere Gully Mein’, ‘Sher Aaya Sher’ and ‘Mirchi’, his live sets fusing nostalgia with next-level intensity. Matching that disruption is Nucleya, the electronic pioneer who blended desi textures with bass-heavy global drops across tracks like ‘Bass Rani’ and ‘Laung Gawacha’, arriving with fresh momentum after a high-voltage showcase at Lollapalooza India 2026. The line-up further features Sanju Rathod whose hits have become cultural earworms blending regional lyricism with contemporary pop appeal, alongside Mumbai-bred electronic forces Suggahunny b2b Hamshyre, and fashion-icon genre-fluid tastemaker GauriWho, collectively capturing the pulse of street, bass and digital-era culture in one high-impact weekend. Music at The MIX will be raw, expressive and high-energy, reflecting the team’s relentless spirit and the city’s layered cultural identity. Future of cricket experiences A Mumbai Indians spokesperson said, "The MIX represents the next chapter of MI’s fan engagement journey. Cricket will always be at our core, but today's young fans connect with brands through culture, lifestyle, and experiences first. The MIX allows us to meet them where they are – creating a space where sport, music, and culture collide in authentic and exciting ways." Owen Roncon, who is the chief of business - Branded IPs, BookMyShow, added, "The MIX is a transformative step in how we reimagine fandom in India. At BrandLabs, we’ve set out to not just create IPs but strategically collaborate with brands from allied industries to bring authentic, immersive experiences to fans. Our approach is rooted in a deep understanding of the evolving landscape of culture and lifestyle, ensuring that every experience is not only engaging but also meaningful. Through this, for The MIX, we’re bridging the worlds of cricket and contemporary culture, making sure that fans are not just spectators but active participants in a vibrant, evolving narrative." The MIX is an extension of Mumbai Indians growing into a larger lifestyle and cultural movement, one that blends the love of the game with the pulse of modern youth culture. The inaugural edition will bring together creators, music artists, players and fans in a shared space that celebrates what it means to belong to the #OneFamily universe, on and off the pitch. BookMyShow Live’s BrandLabs is a newly launched creative solutions vertical dedicated to building branded IPs and cultural experiences at the intersection of entertainment, technology and commerce. Tickets for The MIX are now live, exclusively on the online ticket platform.
20 February,2026 01:28 PM IST | Mumbai | mid-day online correspondentGlobal pop icon and multiple Grammy Award winner Shakira will headline shows in Mumbai and Delhi this April.The concerts will take place on April 10 and in Delhi on April 15, marking the first time the Feeding India Concert will be held across multiple cities. Feeding India, a not-for-profit along with District by Zomato, the going-out platform announces the third edition of the Feeding India Concert 2026. After years of anticipation, the Colombian superstar returns to India where fans have eagerly awaited the opportunity to experience her electrifying live performances. Beyond entertainment, her participation is set to significantly amplify national dialogue around hunger and malnutrition. Shakira's performance in India Commenting on the announcement, Shakira said, “Performing in India has always been special to me, and I'm excited to connect with my fans across Mumbai and Delhi. The Feeding India Concert is about more than music; it's about standing together to ensure every child has access to the nutrition they need to thrive." The landmark expansion reflects the growing momentum behind one of India's most impactful music-for-change initiatives, which have united artists, philanthropists, changemakers, and citizens in the shared mission of achieving Zero Hunger by 2030. Shakira, whose chart-topping anthems including Hips Don't Lie, Whenever, Wherever, and the World Cup phenomenon Waka Waka have made her one of the best-selling music artists of all time, brings more than just star power to the stage. Through her Barefoot Foundation, the Colombian superstar has championed education and child welfare for vulnerable communities worldwide, a mission that aligns with the Feeding India Concert's vision of a hunger and malnutrition-free nation. Opening acts will be announced in the coming weeks. Rahul Ganjoo, CEO, District by Zomato, said, “This is a defining moment for the Feeding India Concert. Bringing an artist of Shakira's global stature to two cities represents our commitment to scaling impact while delivering world-class entertainment. Music has the unique power to unite people across boundaries, and we're leveraging that to drive meaningful conversations that can transform lives. This is what the Feeding India Concert stands for: experiences that move you emotionally while moving the needle on hunger.” Zomato's Feeding India Concert 2026 The Feeding India Concert is a community-driven initiative designed to accelerate progress toward the United Nations Sustainable Development Goal of Zero Hunger by 2030. The organisation addresses hunger and malnutrition through a comprehensive approach: supporting large-scale systemic interventions with government, providing direct meal support to low-income, government, and non-government schools, and mobilizing a youth-led volunteer movement that raises awareness and drives action across communities. The concert serves as an awareness platform bringing together diverse stakeholders in recognition that solving hunger requires collective action across all sectors of society. District app users can now receive all real-time updates and exclusive announcements about the concert by clicking on the ‘Notify Me’ button. Exclusive 48 hour access will be live from 12 noon on February 27 to 12 noon on March 1. General ticket sales will go live at 1 PM on March 1. Music concert lovers can also book with flexibility using District's Buy Now, Pay Later to watch Shakira live by paying 50 per cent at the time of booking, with the remaining balance due by March 20. The Feeding India Concert schedule: April 10, 2026: Mahalaxmi Racecourse, Mumbai April 15, 2026: Jawaharlal Nehru Stadium, New Delhi
20 February,2026 01:12 PM IST | Mumbai | mid-day online correspondentAfter nearly eight decades of shaping global performance culture, The Fringe Festival is finally coming to India and is set to take place in Mumbai this March.What began in 1947 as a rebellious act on the margins of the Edinburgh International Festival has grown into the world’s largest open-access arts movement, spanning more than 300 festivals, including Edinburgh, Prague and Adelaide. It has launched careers, challenged conventions and redefined what live performance can look like. This March, that spirit lands in Mumbai for the very first time. The Mumbai Fringe Festival will make its India debut from March 10 to March 15, opening at the iconic Tata Theatre in NCPA before unfolding across Bandra’s creative circuit including Khar Comedy Club, 3 Art House and indifferent Gharonda. Over six days and nearly 60 performances, the festival will transform the neighbourhood into a dynamic cultural map where audiences move between venues, discover new voices and experience comedy, theatre, poetry, storytelling and experimental work in its most immediate form. This is not a single-stage spectacle. It is a city in motion. The India edition launches with a powerful lineup of leading Indian voices alongside internationally celebrated productions. The festival will feature artists such as Rohan Joshi, Kanan Gill, Varun Grover, Aakash Gupta, Priya Malik, Amandeep Khayal, Urooj Ashfaq and Amit Tandon, alongside acclaimed global works including Nigel Miles Thomas’s award-winning solo performance Sherlock Holmes: The Last Act, a striking solo adaptation of Macbeth presented by UK-based theatre company The Shakespeare Edit, and David Hoskin’s Haunted House, a genre-blending mix of mime, comedy and storytelling. True to the Fringe ethos, the programme is intimate, inventive and unafraid to take creative risks. The Mumbai Fringe Festival is co-founded by Steve Gove and Simar Singh, united by a shared belief that India is ready for the Fringe format. Speaking about bringing the global movement to India, Steve, founder and director, Prague Fringe that is celebrating its 25th anniversary this year, shared their excitement around this long-awaited debut: “Bringing Fringe to Mumbai has been a long-held dream. Cities around the world have embraced this model and watched it reshape their creative landscapes. Mumbai has the energy, the appetite and the talent to make this extraordinary. We are proud to open this chapter here.” Highlighting the importance of creative independence, Simar, founder of UnErase Poetry, added, “The Fringe model gives artists complete freedom. It creates space for new voices and unexpected ideas to meet audiences directly. Mumbai deserves a platform like this. This is not just a festival for the city, it is a platform for artists across India to think bigger.” Tony Lankester, chief executive of the Edinburgh Festival Fringe Society and one of the key custodians of the world’s largest performing arts festival, said, “Born in Scotland nearly 80 years ago, the Fringe has always stood for joy, openness and giving everyone a platform with minimal gatekeeping. Over the years, we have proudly welcomed many outstanding Indian artists to the Edinburgh Fringe, and that tradition continues. We are delighted to see the Mumbai Fringe carry this same spirit forward, creating new opportunities and joy for audiences in India. We wish the Mumbai Fringe every success and look forward to supporting its journey ahead.” Designed as a discovery-led experience rather than a large-scale spectacle, Mumbai Fringe Festival places audiences in close proximity to artists and ideas, creating moments that feel immediate, personal and electric. More than an addition to the cultural calendar, Mumbai Fringe Festival marks a defining new chapter in the city’s live arts landscape, positioning Mumbai within a global ecosystem of Fringe Festivals and offering Indian audiences a rare opportunity to experience a format that has shaped contemporary performance around the world. For a country with one of the richest artistic traditions in the world, the arrival of the Fringe is both overdue and momentous. The movement that began on the margins now steps onto an Indian stage. And it begins in Mumbai. Tickets are exclusively available now on BookMyShow.
19 February,2026 04:11 PM IST | Mumbai | mid-day online correspondentMusic lovers in Delhi can mark your calendars because Candlelight by Live Your City is set to host its first performances at the iconic Safdarjung Tomb for a first-of-its-kind open-air concert experience. This event signals the debut of Candlelight at one of Delhi's most magnificent Mughal monuments. With its sprawling gardens and 18th-century architecture, the venue provides an unparalleled backdrop for live performances. Thousands of glowing candles against the monument's intricate stonework create an ambience that elevates every note. It features two back-to-back performances under the stars. The first experience opens with Candlelight Open Air: Mehfil-e-Sufi, presenting soul-stirring classical melodies rooted in India’s rich devotional tradition. This is followed by Candlelight: Best Movie Soundtracks, showcasing live renditions of Bollywood’s most iconic hits through intimate instrumental arrangements, creating a seamless musical journey from spiritual resonance to cinematic nostalgia. This dual-feature launch makes Safdarjung Tomb a must-visit destination for Delhi's music lovers seeking an immersive cultural experience. Both concerts showcase the versatility of Indian classical music in Candlelight's signature candlelit setting, creating a seamless journey from spiritual depth to cinematic celebration. Upcoming Programming Candlelight Open Air: Mehfil-e-Sufi at Safdarjung TombWhere: Safdarjung Tomb, DelhiWhen: February 28 Time: 6:30 pmDuration: 60 minutesMusicians: Indian Classical Ensemble - Nabeel Sarangi Live (Indian Trio on Sarangi, Tabla & Keyboard)Price: Rs 1999 onwards Candlelight : Best Movie Soundtracks at Safdarjung TombWhere: Safdarjung Tomb, DelhiWhen: February 28 Time: 8:30 pmDuration: 60 minutesMusicians: Indian Classical Ensemble - Nabeel Sarangi Live (Indian Trio on Sarangi, Tabla & Keyboard)Price: Rs 1999 onwardsBooking Link: Live Your City
19 February,2026 03:48 PM IST | Mumbai | mid-day online correspondentGlobally acclaimed Italian DJ, producer and multidisciplinary artist, Anyma, will make his India debut, by bringing his new ÆDEN tour to perform in Mumbai, for a one-night-only show on November 21 at Mahalaxmi Racecourse in Mumbai. Brought to India by Sunburn, Renowned for reshaping the global techno movement, Anyma stands at the intersection of boundary-defying music, visual art and immersive technology. His work transcends traditional DJ performances, evolving into deeply cinematic, emotionally driven live experiences that explore themes of human consciousness, futurism and connection. Across the world’s most influential stages and festivals, Anyma has built a cult following for shows that are visually and sonically powerful. Conceived by Italian multi-disciplinary artist and DJ Matteo Milleri, Anyma exists as far more than a stage name. It represents a deliberate artistic shift - a fully realised world where music and visual storytelling are inseparable. Every release under the Anyma banner is treated not simply as a musical project, but as a complete creative identity, with Milleri personally shaping the visual language and overall artistic direction. This immersive approach has allowed the 37-year-old American-born Italian to carve out a distinct lane within contemporary electronic music. Since launching the project in 2021, he has unveiled a steady run of singles alongside three studio albums, 'Genesys' (2023), 'Genesys II' (2024) and 'The End of Genesys' (2025), collectively marking a defining chapter in the evolution of electronic techno, and amid Mumbai's music concert boom, city-dwellers will get to witness his music. The next era of the renowned Anyma live show builds on truly massive 2025 performance milestones including being the first electronic music artist to hold a residency at Sphere in Las Vegas, bringing his Quantum two-stage show to the Great Pyramids of Giza, holding a sold-out summer residency at the world’s largest club [UNVRS] Ibiza and headlining the opening ceremony for the Riot Games League of Legends Worlds in Chengdu, China. Karan Singh, CEO, Sunburn, shared, “Anyma’s first-ever performance in India represents a meaningful shift in how global electronic artists are engaging with this market. His work goes beyond music - it’s a fully realised creative universe that aligns with how Indian audiences are increasingly responding to immersive, high-concept live experiences. Bringing Anyma to India is a deliberate step towards expanding the scope of what electronic music performances can be here and a reflection of India’s growing relevance on the global touring map.” With defining tracks such as ‘Hypnotized’, ‘Turn On The Lights Again’, ‘Eternity’, ‘Pictures Of You’, ‘Welcome To The Opera’ and ‘The Sign’, Italian DJ Anyma has emerged as one of the most influential voices in contemporary electronic music. His releases consistently dominate global charts and playlists, while his live productions are widely celebrated for pushing the boundaries of what electronic performances can be. At its core, Anyma's audiovisual approach is not designed as a spectacle, but as the construction of a layered, immersive world - one built around a cohesive narrative and distinct characters, with the music remaining central to the experience. In a world where sound and light move as one, Anyma blurs the line between concert and digital art - transforming a regular electronic DJ or nightclub set into an immersive show and electronic music into a multi-sensorial experience. The show, produced by Sunburn, marks a significant evolution in India’s live electronic music narrative. Known for bringing some of the world’s most iconic and future-forward artists to Indian audiences, Sunburn has steadily built a reputation for curating experiences that go beyond scale, focusing instead on cultural impact, storytelling and global relevance. For years, Anyma’s music and visual universe have resonated deeply with Indian fans, making his arrival one of the most anticipated global electronic debuts in the country. The ÆDEN Global Tour follows the release of 'The End Of Genesys Deluxe' via Afterlife/Interscope, featuring the 15 original songs from 'The End Of Genesys', plus six new tracks that were debuted during his sold-out residency at Sphere in Las Vegas last year, as well as newest single ‘Out Of My Body’ featuring KPop Demon Hunters’ EJAE and his recent single with Solomun ‘Till I Die’ (Feat. Claudia Valentina). The artist pre-sale will begin at 3:30 pm and 7:30 pm on February 18. The General On-Sale will go live at 7:30 pm on February 20, exclusively on BookMyShow.
19 February,2026 02:03 PM IST | Mumbai | mid-day online correspondentFresh off their mesmerising on-stage collaboration with British pop star Yungblud at Lollapalooza India, and their acclaimed collaboration on Gorillaz’ ninth studio album ‘The Mountain’ as well as the Grammy-winning ‘Meditations: The Reflections of His Holiness the Dalai Lama’, sarod maestros Amaan Ali Bangash and Ayaan Ali Bangash have been named the Goodwill Ambassadors for WWF-India. Marking this meaningful association, the duo announces the worldwide release of their latest album, ‘Celebrating Our Tigers’, a powerful seven-track musical homage to India’s iconic wild tiger population and the landscapes they call home. Inspiration for ‘Celebrating Our Tigers’ Launched in association with WWF-India, one of the country’s leading conservation organisations founded in 1969, ‘Celebrating Our Tigers’ reflects a shared commitment to environmental stewardship. As internationally acclaimed musicians and sons of the legendary Ustad Amjad Ali Khan, the young classical music brother-duo continue to use their artistry as a platform to spotlight India’s rich natural heritage, demonstrating how music can transcend borders and inspire meaningful action. Amaan states, “Through ‘Celebrating Our Tigers’, we wanted to create more than just music. We aimed to craft an immersive experience that echoes the raw beauty and majesty of India’s wilderness. Every note is a tribute to the resilience of these magnificent creatures and to the tireless efforts of those who protect them. We hope this album deepens listeners’ connection with nature and inspires a renewed commitment to preserving our planet’s biodiversity.” Ayaan states, “This project has been an incredibly moving journey, allowing us to explore the sonic landscapes of India’s tiger reserves. Collaborating with WWF-India and witnessing conservation successes firsthand has been deeply inspiring. Music has the power to communicate emotion and stories beyond words, and with ‘Celebrating Our Tigers’, we invite listeners to celebrate this conservation triumph and reflect on our shared responsibility to protect these iconic animals for generations to come.” The album takes listeners on an evocative sonic journey through India’s diverse wilderness, tracing landscapes critical to tiger conservation. From the historic forests of Jim Corbett National Park, India’s first national park, to the storied terrains of Bandhavgarh, once ruled by the legendary tiger Charger, the compositions vividly capture the spirit of the wild. The journey continues through the serene forts and lakes of Ranthambore, Kabini’s mist-covered backwaters, the timeless teak forests of Pench, immortalised as the inspiration for Rudyard Kipling’s ‘The Jungle Book’ and the biodiverse expanse of Kaziranga along the river Brahmaputra Dr Sejal Worah, programme director, WWF-India states, “We are delighted to welcome Amaan Ali Bangash and Ayaan Ali Bangash as WWF-India Goodwill Ambassadors. Their album, ‘Celebrating Our Tigers’ beautifully blends music and nature, drawing attention to the majesty of India’s tigers and the landscapes they inhabit. Many of these landscapes face ongoing threats, and WWF-India’s work to conserve these critical ecosystems and the wildlife within them will receive an added boost through the awareness created by this album. We are grateful to the Bangash brothers for using their art to inspire a deeper connection with the natural world.” Uniqueness of ‘Celebrating Our Tigers’ A special highlight of the album is the track Kabini, which features Zohaan Ali Bangash and Abeer Ali Bangash, the teenage twin grandsons of Ustad Amjad Ali Khan and sons of Ayaan Ali Bangash. Their involvement symbolises a deeply personal and intergenerational commitment to wildlife conservation, reflecting the twins’ own passion for India’s tigers and natural heritage. This intergenerational collaboration serves as a powerful inspiration behind bringing ‘Celebrating Our Tigers’ to life, reinforcing the album’s message of preserving India’s wildlife for future generations. ‘Celebrating Our Tigers’ arrives at a pivotal moment, as India’s wild tiger population shows a heartening rise due to sustained and effective conservation efforts. The album stands as a tribute not only to the tigers themselves, but also to the forests, conservation initiatives, and organizations dedicated to safeguarding India’s ecological legacy. The consistent support of Hon’ble Prime Minister of India Shri Narendra Modi for tiger conservation and recognising it as vital to sustainable development served as a significant inspiration for the album. The music highlights India’s exemplary record in wildlife conservation, offering a global model for sustainability while underscoring the deep cultural bond between the nation and its natural environment. ‘Celebrating Our Tigers’ features original compositions by Amaan Ali Bangash and Ayaan Ali Bangash, produced by Kabir Sehgal. Accompanying musicians include Subir Roy (flute), Debashis Halder (sarangi), Uday Mukherjee (tabla and percussion), Deb Sankar Roy (violin), Bhaskar Jyoti Kalita (flute), and Uditya Lahkar (percussion). Keyboard programming is by Soumen Kutty Sarkar , with mixing and mastering by Sawan Dutta on select tracks. Complementing the music is a striking visual collaboration with distinguished wildlife photographers Karam Srivastava (Jim Corbett), Shivang Mehta (Bandhavgarh), Kalyan Varma (Ranthambore), , Vikramjit Singh Bal and Rakesh Rana (Kaziranga), along with Anand Bazaar Patrika (Sundarbans), Felis Creations (Kabini), and WWF-India (Kaziranga) whose imagery powerfully enhances the album’s narrative and conservation message. ‘Celebrating Our Tigers’ will be released on February 20. Tracklist CorbettBandhavgarhSundarbansKazirangaKabiniRanthamborePench
19 February,2026 01:59 PM IST | Mumbai | mid-day online correspondentADVERTISEMENT
