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The unmaking of Chintu

Artist Chintan Upadhyay was granted bail by the Supreme Court in a six-year-long double murder case on Friday. Vaibhav Vishal looks back to the Bombay of the 1990s, where he and his artist friend found their language of expression

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Artist Chintan Upadhyay in a file picture from 2008. The Supreme Court that granted him bail on September 17, instructed him to reside in any place other than Mumbai. Pic/Getty Images

Artist Chintan Upadhyay in a file picture from 2008. The Supreme Court that granted him bail on September 17, instructed him to reside in any place other than Mumbai. Pic/Getty Images

The year was 1996. Mumbai was still a little bit of Bombay, accepting us migrant cousins with open arms. Chintan Upadhyay and I were among the many, who had come to the city to make her our home. Mumbai was beautiful and affectionate, inspiring and challenging. The taller-than-tall apartments wowed us, the shimmering lights of Crossroads mall and the display windows of Rupam and VAMA showrooms excited us. We were romancing with the local trains and rented homes in decrepit lower middle-class societies, savouring our starvation in late night roadside bhurji-pav meals amidst the golden-brown haze of the sleeping city, revisiting our tangential dreams. And we knew we were growing up in an environment that we would romanticise about some day.

But I am digressing.

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