Movie Review: 'The Mortal Instruments City of Bones'
Based on the 'Mortal Instruments' series by Cassandra Clare, it is a rare film that invokes an emotion that is seldom felt by audiences - pity
'The Mortal Instruments City of Bones'
Director: Harald Zwart
Cast: Lilly Collins
The horrendous 'Twilight' movies didn’t just make money and leave quietly. They took a giant dump on the world and left skid marks all over so that Hollywood could scrape away the yellow and sell it as gold. The last thing we needed was 'Twilight' spawning a whole barrage of even stupider films targeted towards intellectually vacuous teenagers. But as 'The Host' showed, the trend has clearly declined, and the absence of the shiny soap bar Robert Pattinson would prevent 'The Mortal Instruments: City of Bones' from finding success at the box office.
Based on the 'Mortal Instruments' series by Cassandra Clare, it is a rare film that invokes an emotion that is seldom felt by audiences – pity. The terribleness of City of Bones’ narrative is explained when you get to know that Harald Zwart, the guy who previously made the Karate Kid and the Pink Panther remakes directed this film. The latter was responsible for pretty much ending Aishwarya Rai’s Hollywood journey, and though it may not reflect on Zwart’s talent as a filmmaker it is nearly impossible to forgive someone who launched Jaden Smith’s career.
The story is formulaic to begin with but the lack of creativity in this film is staggering. Girl begins to see strange otherworldly things. Girl’s parents disappear. Girl discovers that there is a world within our world and that she has a gift. Girl joins a band of other boys and girls with gifts to overthrow the evil dark forces of the other world who want to take over our world. This is as unimaginative as it gets and the only explanation for this film being funded is that the studio is under the impression that 'Buffy' the vampire slayer, 'Harry Potter', 'Star Wars' and 'Twilight' never happened. In the film people who aren’t gifted are called ‘mundane’ – it’s a term that can be used to describe the film itself.
You can’t help but feel bad for the star – Lilly Collins is a gorgeous, talented young girl who clearly thought this film would make her the next Kristen Stewart. It must be frustrating for the poor girl because this is not the first time Stewart stole her thunder – they both had Snow White films last year and Stewart’s version made money, albeit with a little cushion for the pushin’.