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In memory of a fine scolding

I was young, overwhelmed by the city and the idea of work and nervous about saying no, so I flaked massively on getting back to her

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Illustration/Uday Mohite

Illustration/Uday Mohite

Paromita VohraThe first time I met Chandita Mukherjee, it was for a job.  She was at Natraj Studios, working on language versions of Bharat Ki Chhaap, a landmark show she created on the history of science in India, for the then single television channel Doordarshan. I was 21 and rather intimidated by her statuesque presence, her long plait, her knowledgable comments on the misal pav she was eating and the 
army of very busy and professional looking women who were working with her on the project.

I was young, overwhelmed by the city and the idea of work and nervous about saying no, so I flaked massively on getting back to her.

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